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|a 791.43
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| 100 |
1 |
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|a Strinati, Dominic
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| 245 |
1 |
3 |
|a An introduction to studying popular culture /
|c Dominic Strinati.
|
| 260 |
|
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|a London ;
|a New York :
|b Routledge,
|c cop. 2000.
|
| 300 |
|
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|a xvi, 288 str. ;
|c 22 cm
|
| 504 |
|
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|a Str. 267-278: Bibliografija
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| 504 |
|
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|a Kazalo
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| 505 |
8 |
|
|a 1. Popular cinema: the Hollywood system
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| 505 |
8 |
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|a The rise of the Hollywood studio system
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| 505 |
8 |
|
|a The emergence of cinema
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| 505 |
8 |
|
|a Early popular cinema
|
| 505 |
8 |
|
|a The coming of sound
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| 505 |
8 |
|
|a The studio system
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| 505 |
8 |
|
|a The decline of the studio system
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| 505 |
8 |
|
|a The package-unit system
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| 505 |
8 |
|
|a 2. Popular cinema: Hollywood narrative and film genres
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| 505 |
8 |
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|a The narrative and ideology of the Hollywood film
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| 505 |
8 |
|
|a The American dream
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| 505 |
8 |
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|a The Hollywood narrative
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| 505 |
8 |
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|a Narrative and idelogy
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| 505 |
8 |
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|a Genre, popular culture and popular cinema
|
| 505 |
8 |
|
|a Conclusions
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| 505 |
8 |
|
|a 3. The gangster film
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| 505 |
8 |
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|a The gangster film
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| 505 |
8 |
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|a Cultural realism
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| 505 |
8 |
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|a The Hollywood system and the gangster film
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| 505 |
8 |
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|a Ideology and the gangster film
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| 505 |
8 |
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|a 4. The horror film
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| 505 |
8 |
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|a The horror film
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| 505 |
8 |
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|a Definitions of horror
|
| 505 |
8 |
|
|a Cycles of horror
|
| 505 |
8 |
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|a Universal and the 'horror classics'
|
| 505 |
8 |
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|a Psychological horror
|
| 505 |
8 |
|
|a Horror and science fiction in the 1950s
|
| 505 |
8 |
|
|a Teenage horror
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| 505 |
8 |
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|a Hammer horror
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| 505 |
8 |
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|a Modern horror and modern society
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| 505 |
8 |
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|a The 'slasher' film
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| 505 |
8 |
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|a Modern horror and modern Hollywood
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| 505 |
8 |
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|a Theories of horror
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| 505 |
8 |
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|a 5. 'Film noir'
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| 505 |
8 |
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|a What is film noir?
|
| 505 |
8 |
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|a Defining film noir
|
| 505 |
8 |
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|a Gender and film noir
|
| 505 |
8 |
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|a Explanations of film noir
|
| 505 |
8 |
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|a Film noir as a reflection of society
|
| 505 |
8 |
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|a Cultural interpretation of film noir
|
| 505 |
8 |
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|a Political influences
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| 505 |
8 |
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|a Economic explanations
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| 505 |
8 |
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|a Conclusions
|
| 505 |
8 |
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|a 6. Popular television: citizenship, consumerism and television in the UK
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| 505 |
8 |
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|a Citizenship and consumerism
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| 505 |
8 |
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|a Public service broadcasting
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| 505 |
8 |
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|a The formation of BBC
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| 505 |
8 |
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|a Commercial television and public service broadcasting
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| 505 |
8 |
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|a The introduction of commercial television
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| 505 |
8 |
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|a Channel 4
|
| 505 |
8 |
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|a Consumerism, citizenship and video, cable and satellite television
|
| 505 |
8 |
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|a 7. The television audience
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| 505 |
8 |
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|a The 'effects' of popular television upon audiences
|
| 505 |
8 |
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|a The 'uses and gratifications' approach to popular television and the audience
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| 505 |
8 |
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|a Semiology, theory and audience studies
|
| 505 |
8 |
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|a Conclusions: audiences and power
|
| 505 |
8 |
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|a 8. Popular television genres
|
| 505 |
8 |
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|a A general introduction
|
| 505 |
8 |
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|a The production of popular television genres
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| 505 |
8 |
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|a The structure of popular television genres
|
| 505 |
8 |
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|a Production, audiences and genres
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| 505 |
8 |
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|a Audiences and the soap opera
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| 505 |
8 |
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|a 9. Popular television and postmodernism
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| 505 |
8 |
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|a The mass media, culture and society
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| 505 |
8 |
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|a Consumption, style and meaning
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| 505 |
8 |
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|a Popular culture, fragmentation and identity
|
| 505 |
8 |
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|a Conclusion
|
| 653 |
|
|
|a kulturalni studiji
|
| 653 |
|
|
|a mediji
|
| 653 |
|
|
|a masovni mediji
|
| 653 |
|
|
|a televizija
|
| 653 |
|
|
|a film
|
| 942 |
|
|
|b LIB
|c KNJ
|d KOM | 316.77 | STR | INS
|h EC24
|i STR INS
|6 EC24_STR_INS
|
| 991 |
|
|
|a komIII-1187
|
| 991 |
|
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|a komIII-1188
|
| 991 |
|
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|a komIII-1189
|
| 992 |
|
|
|a KK
|b ŽV
|c 200803
|
| 993 |
|
|
|a poslijediplomski studij književnosti
|
