An introduction to studying popular culture

Permalink: http://skupni.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:150340/TOC
Glavni autor: Strinati, Dominic (-)
Vrsta građe: Knjiga
Jezik: eng
Impresum: London ; New York : Routledge, cop. 2000.
Predmet:
Sadržaj:
  • 1. Popular cinema: the Hollywood system
  • The rise of the Hollywood studio system
  • The emergence of cinema
  • Early popular cinema
  • The coming of sound
  • The studio system
  • The decline of the studio system
  • The package-unit system
  • 2. Popular cinema: Hollywood narrative and film genres
  • The narrative and ideology of the Hollywood film
  • The American dream
  • The Hollywood narrative
  • Narrative and idelogy
  • Genre, popular culture and popular cinema
  • Conclusions
  • 3. The gangster film
  • The gangster film
  • Cultural realism
  • The Hollywood system and the gangster film
  • Ideology and the gangster film
  • 4. The horror film
  • The horror film
  • Definitions of horror
  • Cycles of horror
  • Universal and the 'horror classics'
  • Psychological horror
  • Horror and science fiction in the 1950s
  • Teenage horror
  • Hammer horror
  • Modern horror and modern society
  • The 'slasher' film
  • Modern horror and modern Hollywood
  • Theories of horror
  • 5. 'Film noir'
  • What is film noir?
  • Defining film noir
  • Gender and film noir
  • Explanations of film noir
  • Film noir as a reflection of society
  • Cultural interpretation of film noir
  • Political influences
  • Economic explanations
  • Conclusions
  • 6. Popular television: citizenship, consumerism and television in the UK
  • Citizenship and consumerism
  • Public service broadcasting
  • The formation of BBC
  • Commercial television and public service broadcasting
  • The introduction of commercial television
  • Channel 4
  • Consumerism, citizenship and video, cable and satellite television
  • 7. The television audience
  • The 'effects' of popular television upon audiences
  • The 'uses and gratifications' approach to popular television and the audience
  • Semiology, theory and audience studies
  • Conclusions: audiences and power
  • 8. Popular television genres
  • A general introduction
  • The production of popular television genres
  • The structure of popular television genres
  • Production, audiences and genres
  • Audiences and the soap opera
  • 9. Popular television and postmodernism
  • The mass media, culture and society
  • Consumption, style and meaning
  • Popular culture, fragmentation and identity
  • Conclusion