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|a 130.2
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| 100 |
1 |
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|a Strinati, Dominic
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| 245 |
1 |
3 |
|a An introduction to theories of popular culture /
|c Dominic Strinati.
|
| 260 |
|
|
|a London ;
|a New York :
|b Routledge,
|c cop. 1995.
|
| 300 |
|
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|a xviii, 301 str. ;
|c 22 cm
|
| 504 |
|
|
|a Str. 275-289: Bibliografija
|
| 504 |
|
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|a Kazalo
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| 505 |
8 |
|
|a Acknowledgements
|
| 505 |
8 |
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|a Introduction
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| 505 |
8 |
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|a 1. Mass culture and popular culture
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| 505 |
8 |
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|a Mass culture and mass society
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| 505 |
8 |
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|a The mass culture debate
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| 505 |
8 |
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|a Mass culture and Americanisation
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| 505 |
8 |
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|a Americanisation and the critique of mass culture theory
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| 505 |
8 |
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|a A critique of mass culture theory
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| 505 |
8 |
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|a 2.The Frankfurt school and the culture industry
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| 505 |
8 |
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|a The origins of the Frankfurt school
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| 505 |
8 |
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|a The theory of commodity fetishism
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| 505 |
8 |
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|a The Frankfurt school's theory of modern capitalism
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| 505 |
8 |
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|a The culture industry
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| 505 |
8 |
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|a The culture industry and popular music
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| 505 |
8 |
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|a 'Adorno's theory of popular music, Cadillacs and Doo-wop'
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| 505 |
8 |
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|a The Frankfurt school: a critical assessment
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| 505 |
8 |
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|a 'Benjamin and the critique of the Frankfurt school'
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| 505 |
8 |
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|a 3. Structuralism, semiology and popular culture
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| 505 |
8 |
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|a Structural linguistics and the ideas of Saussure
|
| 505 |
8 |
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|a Structuralism, culture and myth
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| 505 |
8 |
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|a Structuralism and James Bond
|
| 505 |
8 |
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|a Barthes, semiology and popular culture
|
| 505 |
8 |
|
|a 'Barthes, structuralism and semiology'
|
| 505 |
8 |
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|a 'Writing degree zero'
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| 505 |
8 |
|
|a 'Myths and popular culture'
|
| 505 |
8 |
|
|a 'Burgeois men and women novelists'
|
| 505 |
8 |
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|a Structuralism and semiology: some key problems
|
| 505 |
8 |
|
|a 'Lévy-Strauss's structuralism'
|
| 505 |
8 |
|
|a 'Roland Barthes's semiology'
|
| 505 |
8 |
|
|a 4. Marxism, political economy and ideology
|
| 505 |
8 |
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|a Marx and ideology
|
| 505 |
8 |
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|a Marxism and political economy
|
| 505 |
8 |
|
|a 'The limits of political economy'
|
| 505 |
8 |
|
|a Althusser's theory of ideology and structuralist Marxism
|
| 505 |
8 |
|
|a 'Althusser's Marxism: economic determinism and ideology'
|
| 505 |
8 |
|
|a Gramsci, Marxism and popular culture
|
| 505 |
8 |
|
|a Gramsci's concept of hegemony
|
| 505 |
8 |
|
|a Conclusions: Marxism, Gramscian Marxism and popular culture
|
| 505 |
8 |
|
|a 5. Feminism and popular culture
|
| 505 |
8 |
|
|a The feminist critique
|
| 505 |
8 |
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|a 'Women and advertising'
|
| 505 |
8 |
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|a The feminist analysis of popular culture
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| 505 |
8 |
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|a 'Feminism and mass culture'
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| 505 |
8 |
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|a 'Feminist theory and the critique of content analysis'
|
| 505 |
8 |
|
|a 'Feminist theory, patriarchy and psychoanalysis'
|
| 505 |
8 |
|
|a 'Feminist theoy and the study of ideology'
|
| 505 |
8 |
|
|a Feminist analysis, semiology and ideology'
|
| 505 |
8 |
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|a Feminist analysis, ideology and audiences'
|
| 505 |
8 |
|
|a Conclusion
|
| 505 |
8 |
|
|a 6. Postmodernism and popular culture
|
| 505 |
8 |
|
|a What is postmodernism?
|
| 505 |
8 |
|
|a 'The breakdown of the distincion between culture and society'
|
| 505 |
8 |
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|a 'The breakdown of the distinction art and popular culture'
|
| 505 |
8 |
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|a 'Confusions over time and space'
|
| 505 |
8 |
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|a 'The decline of metanarratives'
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| 505 |
8 |
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|a Contemporary popular culture and postmodernism
|
| 505 |
8 |
|
|a 'Architecture'
|
| 505 |
8 |
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|a 'Cinema'
|
| 505 |
8 |
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|a 'Television'
|
| 505 |
8 |
|
|a 'Advertising'
|
| 505 |
8 |
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|a Pop music'
|
| 505 |
8 |
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|a The emergence of postmodernism
|
| 505 |
8 |
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|a 'Consumerism and media-saturation'
|
| 505 |
8 |
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|a 'New middle-class occupations and consumer markets'
|
| 505 |
8 |
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|a 'The erosion of personal and collective identities'
|
| 505 |
8 |
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|a The limits of postmodernism
|
| 505 |
8 |
|
|a 7. Conclusions
|
| 505 |
8 |
|
|a 'Discourse and popular culture'
|
| 505 |
8 |
|
|a 'The 'dialogical' approach to popular culture'
|
| 505 |
8 |
|
|a 'Cultural populism'
|
| 505 |
8 |
|
|a Notes
|
| 505 |
8 |
|
|a Bibliography
|
| 505 |
8 |
|
|a Index
|
| 653 |
|
|
|a masovna kultura
|
| 653 |
|
|
|a kulturalni studiji
|
| 653 |
|
|
|a filozofija kulture
|
| 653 |
|
|
|a strukturalizam
|
| 653 |
|
|
|a oglašavanje
|
| 653 |
|
|
|a reklame
|
| 653 |
|
|
|a feminizam
|
| 653 |
|
|
|a Barthes, Roland
|
| 653 |
|
|
|a Lévi-Strauss C.
|
| 653 |
|
|
|a Marx, Karl
|
| 653 |
|
|
|a Gramsci, Antonio
|
| 653 |
|
|
|a feminizam
|
| 653 |
|
|
|a popularna kultura
|
| 653 |
|
|
|a postmodernizam
|
| 653 |
|
|
|a Althusser, L
|
| 653 |
|
|
|a semiotika
|
| 942 |
|
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|b LIB
|c KNJ
|d KOM | 130.2 | STR | INT
|h EC17.3
|i STR INT
|6 EC173_STR_INT
|
| 991 |
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|a komIII-1184
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|a komIII-1185
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|a komIII-1186
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|a komIII-1914
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|a komIII-1915
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|a KK
|b ŽV
|c 200803
|
| 993 |
|
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|a poslijediplomski studij književnosti
|
