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|a 0415227283
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|a HR-ZaFF komL8622
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|a HR-ZaFF
|b hrv
|c HR-ZaFF
|e ppiak
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|a 792(091)
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| 245 |
0 |
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|a Theatre histories :
|b an introduction /
|c by Phillip B. Zarilli ... [et al.] ; general editor Gary Jay Williams.
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| 260 |
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|a New York ;
|a London :
|b Routledge,
|c 2006.
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| 300 |
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|a [xxxii], 544 str. :
|b ilustr. ;
|c 25 cm
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| 505 |
8 |
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|a Preface: Interpreting performances and cultures: A first mapping: about this book -- A second mapping: cultural performances, theatre and drama -- A third mapping: about history, historiography, and historical methods -- The historian's sources -- A fouth mapping: periodiozation through modes of human communication -- Case studies and interpretive approaches: the historian at work -- A note on diacritics, spellings, and names
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| 505 |
8 |
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|a PART I: Performance and theatre in oral and written cultures before 1600 / edited by Philip B. Zarrilli
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| 505 |
8 |
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|a Introduction : The evolution of human language and consciousness -- Human language, writing and society -- Performance, communication, and remembrance
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| 505 |
8 |
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|a 1. Oral, ritual, and shamanic performance : Primary orality -- Oral performance -- Oral texts and their transmission under the written sign: Vedic chanting in India -- Ritual specialists: accessing sacred power -- Late Neolithic ritual landscapes and pilgrimage in England -- Early Celtic oral and ritual festival performance -- Interpreting and understanding ritual -- Ritual, ceremony, and collictive social life -- The healing powers of ritual/shamanic specialists -- Summary
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| 505 |
8 |
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|a Case studies : Yoruba ritual as "play", and "contigency" in the ritual process -- Interpretive approach. Theories of play and improvisation -- Korean shamanism and the power of speech -- Interpretive approach. Speech act theory
|
| 505 |
8 |
|
|a 2. Religious and civic festivals: Early drama and theatre in context : Commemorative ritual "drama" in Abydos, Egypt -- dialogic drama in the city-state of Athens -- Mesoamericam performance -- Texts in other traditions -- Medieval Christian liturgy and drama -- Islamic commemorative mourning "dramas": the Ta'zieh if Iran -- Summary discussion
|
| 505 |
8 |
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|a Case studies : Classical Greek theatre: looking at Oedipus -- Interpretive approach. Cognitive studies -- Christians and Moors: Medieval performance in Spain and the New World -- Interpretive approach. Cultural hierarchy
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| 505 |
8 |
|
|a 3. Imperial theatre: Pleasure, power, and aesthetics : Drama, theatre, and performance in the Roman Republic and Empire -- Indian literary and commemorative drama and theatre -- Early Chineses and JApenese drama, theatre, and performance -- Summary discussion
|
| 505 |
8 |
|
|a Case studies : Plautus's plays: what's so funny? -- Interpretive approach, Part I. Henri Bergson's theory of laughter -- Interpretive approach, Part II. Bergson's theory in historical perspective -- Kutiyattam Sanskrit theatre of India: Rasa-bhava aesthetic theory and the question of taste -- Interpretive approach. Reception theory -- The silent bell: The Japanese noh play, Dôjôji -- Interpretive approach. Feminist and gender theory, modified for medieval Japan
|
| 505 |
8 |
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|a PART II : Theatre and print cuoltures, 1500-1900 / edited by Bruce McConachie
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| 505 |
8 |
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|a Intruduction: China and Western Europe : The rise of European professional theatres -- Commedia dell'arte -- Institutionalizing drama in Europe -- Golden age theatre in Spain, 1590-1680 -- Neoclassicism and print in europe -- Le Cid and French absolutism -- Scenic perspectivism in print and on stage -- Acting and print in Europe after 1700 -- European dramatists claim authority -- Theatre, print, and the public
|
| 505 |
8 |
|
|a 4. Theatre and the state, 1600-1900 : Theatre and the state in France, 1630-1675 -- From patronage to control in France, 1675-1789 -- Samurai warriors versus kabuki actors, 1600-1670 -- regulating kabuki, 1670-1868 -- Theatre and the state in England, 1600-1660 -- Patents, censorship, and social order in England, 1660-1790 -- Theatre and the state in England and France, 1790-1900
|
| 505 |
8 |
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|a Case studies: Moliere and carnival laughter -- Interpretice approach. M. Bakhtin's concept of the carnivalesque -- Kabuki and bunraku: Mimesis and the hybrid body -- Interpretive approach. Mimesis, hybridity, and the body -- Shakespearean sexuality in 'Twelfth night' -- Interpretive approach. Queer theory
|
| 505 |
8 |
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|a 5. Theatre for knowledge through feeling, 1700-1900
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| 505 |
8 |
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|a ...
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| 505 |
8 |
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|a 6. Theatre, nation, and empire, 1750-1900
|
| 505 |
8 |
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|a ...
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| 505 |
8 |
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|a PART III. Theatre in modern media cultures, 1850-1970 / edited by Bruce McConachie
|
| 505 |
8 |
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|a Introduction: Historical changes after 1850 : Photography and audiophony in the theatre -- Spectacular bodies on the popular stage -- The rise of realism in the West -- Realist producer-directors -- The rise of realism in Japan -- Avente-garde theatres in the West -- The Great War as a turning point in world theatre -- Shakespeare and film in England -- Lyrical abstraction and th eradio in France -- Psychological realism in the United States -- Theatre and politics -- The continuing power of print
|
| 505 |
8 |
|
|a 7. Theatres of popular entertainment, 1850-1970
|
| 505 |
8 |
|
|a ...
|
| 505 |
8 |
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|a 8. Theatres of the avant-garde and their legacy, 1880-1970
|
| 505 |
8 |
|
|a ...
|
| 505 |
8 |
|
|a 9. Theatres for reform and revolution, 1880-1970
|
| 505 |
8 |
|
|a ...
|
| 505 |
8 |
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|a PART IV. Theatre and performance in the age of global communications, 1950-present / edited by Gary Jay Williams
|
| 505 |
8 |
|
|a Introduction: colonialism, globalisation, media and theatre : Media and theare: all in the family -- Globalization, media, theatre and performance -- The media: power and resistance -- Theatre, performance, resistance -- Performance art -- Theatre in postcolonial African nations
|
| 505 |
8 |
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|a 10. Rich and poor theatres of globalization
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| 505 |
8 |
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|a ...
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| 505 |
8 |
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|a 11. Director, text, and performance in the postmodern world
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| 505 |
8 |
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|a ...
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| 505 |
8 |
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|a 12. Interculturalism, hybridity, tourism: the performing world in new terms
|
| 653 |
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|a povijest kazališta
|
| 653 |
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|a kazalište -- povijest
|
| 700 |
0 |
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|a Zarrilli, Philip B.
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| 700 |
0 |
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|a McConachie, Bruce
|
| 700 |
0 |
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|a Williams, Gary Jay
|
| 942 |
|
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|b LIB
|c KNJ
|d KOM | 792(091) | THEAT
|h EC15.2
|i THEAT tri primjerka za doktorski studij književnosti
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