Beyond the boundaries : American alternative theatre - Shank, Theodore (Ann Arbor : The University of Michigan Press, 2002)
Machine generated contents note: Part I. -- American Alternative Theatre -- 1960-80 -- 1. The Alternative Theatre 1 -- 2. Primary Explorations 8 -- The Living Theatre 9 -- The Open Theatre 38 -- 3. Theatre of Social Change 50 -- The San Francisco Mime Troupe 59 -- El Teatro Campesino 74 -- 4. Environmental Theatre 91 -- Richard Schechner: The Performance Group 93 -- The Bread andPuppet Theater 103 -- Snake Theater 113 -- 5. New Formalism 123 -- Robert Wilson 125 -- Suzanne Hellmuth and Jock Reynolds 134 -- Alan Finneran: Soon 3 140 -- Michael Kirby: The Structuralist Workshop 149 -- 6. Self as Content 155 -- Richard Foreman: The Ontological-Hysteric Theatre 159 -- Spalding Gray and Elizabeth LeCompte: -- The Wooster Group 170 -- Squat Theatre 179 -- Part II. -- American Alternative Theatre -- since 1980 -- 7. An Introduction to Alternative Theatre Since 1980 193 -- 8. Outrageous Performance 199 -- "Indecency" and the National Endowment for the Arts 199 -- The Shock of Nakedness 202 -- Karen Finley, "The Chocolate-Smeared Woman" 202 -- Holly Hughes, Everybody’s Girlfriend 209 -- Tim Miller, Everybody’s Boyfriend 211 -- Juliana Francis and GO GO GO 213 -- Annie Sprinkle, Post-Post-Porn Modernist 215 -- Sacred Naked Nature Girls 217 -- Body Mutilation and Performance 219 -- Ron Athey: Self-Mutilation as Religious Experience 221 -- 9. Social Commitment 225 -- The San Francisco Mime Troupe 230 -- Anna Deavere Smith 236 -- Guillermo G6mez-Peiia 246 -- 10. New Technologies and Techniques 252 -- Ping Chong 253 -- George Coates Performance Works 264 -- Alan Finneran: Soon 3 279 -- Antenna Theater: Putting the Spectator -- in the Performance 287 -- 11. Self-Reflections 296 -- Mabou Mines 297 -- Richard Foreman 311 -- The Wooster Group 327
Bibliografija: str. 343-350.
Kazalo
Keywords: alternativno kazalište - Sjedinjene Američke Države