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01659pam a22003017i 4500 |
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20120103004241.0 |
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091002s2010 xxua b 0|1 0 eng |
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|a 9780415871396
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| 040 |
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|a DLC
|c DLC
|d BTCTA
|d NhCcYBP
|d HR-ZaFF
|b hrv
|e ppiak
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| 080 |
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|a 791.43
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| 100 |
1 |
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|a Hanich, Julian
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| 245 |
1 |
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|a Cinematic emotion in horror films and thrillers :
|b the aesthetic paradox of pleasurable fear /
|c Julian Hanich.
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| 260 |
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|a New York :
|b Routledge,
|c 2010.
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| 300 |
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|a x, 301 str. :
|b ilustr. ;
|c 24 cm.
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| 490 |
1 |
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|a Routledge advances in film studies ;
|v 5
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| 830 |
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0 |
|a Routledge advances in film studies ;
|v 5.
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| 504 |
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|a Bibliografija: str. [281]-291.
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| 504 |
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|a Kazalo
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| 505 |
0 |
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|a Introduction -- How to describe cinematic fear, or why phenomenology? -- Multiplexperiences : individualized immersion and collective feelings -- Frightening fascination : a phenomenology of direct horror -- Intimidating imaginations : a phenomenology of suggested horror -- Startling scares : a phenomenology of cinematic shock -- Anxious anticipations : a phenomenology of cinematic dread -- Apprehensive agitation : a phenomenology of cinematic terror -- Moments of intensity : lived-body metamorphoses and experienced time -- Moments of collectivity : the cinema of fear and feelings of belongingness -- The end.
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| 650 |
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0 |
|a Horror films
|x History and criticism.
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| 650 |
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0 |
|a Thrillers (Motion pictures)
|x History and criticism.
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| 650 |
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0 |
|a Motion picture audiences.
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| 653 |
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|a filmovi strave
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| 653 |
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|a horor filmovi
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| 653 |
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|a filmski trileri
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| 653 |
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|a filmska publika
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| 942 |
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|c KNJ
|h EC16.1
|i HAN C
|6 EC161_HAN_C
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| 999 |
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|c 254135
|d 254134
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