An actor's work : a student's diary - Stanislavskij, Konstantin Sergeevič; Benedetti, Jean (London ; New York : Routledge, 2008)
Introduction / Declan Donnellan -- Translator's foreword / Jean Benedetti -- Publisher's acknowledgements -- An Actor's Work, original draft preface [extracts] -- Year one : Experiencing -- An Actor's Work, introduction -- 1. Amateurism -- 2. The stage as art and stock-in-trade -- 3. Action, 'if', 'given circumstances' -- 4. Imagination -- 5. Concentration and attention -- 6. Muscular release -- 7. Bits and tasks -- 8. Belief and the sense of truth -- 9. Emotion memory -- 10. Communication -- 11. An actor's adaptations and other elements, qualities, aptitudes and gifts -- 12. Inner psychological drives -- 13. Inner psychological drives in action -- 14. The actor's inner creative state -- 15. The supertask, throughaction -- 16. The subconscious and the actor's creative state -- Year two : Embodiment -- 17. Transition to physical embodiment -- 18. Physical education -- 19. Voice and speech -- 20. Perspective of the actor and the role -- 21. Tempo-rhythm -- 22. Logic and sequence -- 23. Physical characteristics -- 24. The finishing touches -- 25. Charisma -- 26. Ethics and discipline -- 27. The external creative state in performance -- 28. General creative state in performance -- 29. The 'system' -- Appendices -- Endnotes -- Glossary of key terms -- Afterword / Anatoly Smeliansky.
Bibliografija
Kazalo
Keywords: Method acting; kazališna gluma; gluma -- metode