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01470nam a22003377i 4500 |
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20150423113018.0 |
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130605s2013 xxua bq 001 0 eng |
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|a 2013020135
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016 |
7 |
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|a 016516265
|2 Uk
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|a 9781782380771
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|a (OCoLC)ocn841893015
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|a DLC
|b eng
|c DLC
|d BTCTA
|d OCLCO
|d UKMGB
|d OCLCF
|d YDXCP
|d CtY
|e ppiak
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|a pcc
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|a e-ur---
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|a 791.43
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0 |
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|a 777
|2 23
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100 |
1 |
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|a Cavendish, Philip
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245 |
1 |
4 |
|a The men with the movie camera :
|b the poetics of visual style in Soviet avant-garde cinema of the 1920s /
|c Philip Cavendish.
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260 |
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|a New York :
|b Berghahn Books,
|c 2013.
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300 |
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|a xii, 342 str. :
|b ilustr. ;
|c 24 cm
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504 |
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|a Filmografija: str. [297]-303
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504 |
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|a Bibliografija: str. [304]-324. - Kazalo
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505 |
0 |
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|a Introduction -- The theory and practice of camera operation within the Soviet avant-garde of the 1920s -- Eduard Tisse and Sergei Eisenstein -- Anatolii Golovnia and Vsevolod Pudovkin -- Andrei Moskvin and the Factory of the Eccentric Actor (FEKS) -- Danylo Demutskyi and Oleksandr Dovzhenko -- Conclusion.
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650 |
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|a Cinematography
|z Soviet Union
|x History.
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650 |
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|a Experimental films
|z Soviet Union
|x History and criticism.
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650 |
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0 |
|a Silent films
|z Soviet Union
|x History and criticism.
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653 |
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|a sovjetska kinematografija - povijest
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653 |
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|a eksperimentalni film
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653 |
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|a njemi film - SSSR
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942 |
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|c KNJ
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999 |
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|c 340454
|d 340451
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