LEADER 01470nam a22003377i 4500
005 20150423113018.0
008 130605s2013 xxua bq 001 0 eng
010 |a  2013020135 
016 7 |a 016516265  |2 Uk 
020 |a 9781782380771 
035 |a (OCoLC)ocn841893015 
040 |a DLC  |b eng  |c DLC  |d BTCTA  |d OCLCO  |d UKMGB  |d OCLCF  |d YDXCP  |d CtY  |e ppiak 
042 |a pcc 
043 |a e-ur--- 
080 |a 791.43 
082 0 0 |a 777  |2 23 
100 1 |a Cavendish, Philip 
245 1 4 |a The men with the movie camera :  |b the poetics of visual style in Soviet avant-garde cinema of the 1920s /  |c Philip Cavendish. 
260 |a New York :  |b Berghahn Books,  |c 2013. 
300 |a xii, 342 str. :  |b ilustr. ;  |c 24 cm 
504 |a Filmografija: str. [297]-303 
504 |a Bibliografija: str. [304]-324. - Kazalo 
505 0 |a Introduction -- The theory and practice of camera operation within the Soviet avant-garde of the 1920s -- Eduard Tisse and Sergei Eisenstein -- Anatolii Golovnia and Vsevolod Pudovkin -- Andrei Moskvin and the Factory of the Eccentric Actor (FEKS) -- Danylo Demutskyi and Oleksandr Dovzhenko -- Conclusion. 
650 0 |a Cinematography  |z Soviet Union  |x History. 
650 0 |a Experimental films  |z Soviet Union  |x History and criticism. 
650 0 |a Silent films  |z Soviet Union  |x History and criticism. 
653 |a sovjetska kinematografija - povijest 
653 |a eksperimentalni film 
653 |a njemi film - SSSR 
942 |c KNJ 
999 |c 340454  |d 340451