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060201s1990 ||| |||||||||| ||eng|d |
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|a 0292780907
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|a HR-ZaFF komL2247
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|a HR-ZaFF
|b hrv
|c HR-ZaFF
|e ppiak
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|a 82.0 * 82.07
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|a 82.07
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| 100 |
1 |
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|a Fleischman, Suzanne
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| 245 |
1 |
0 |
|a Tense and narrativity :
|b from medieval performance to modern fiction /
|c by Suzanne Fleischman.
|
| 260 |
|
|
|a Austin :
|b University of Texas Press,
|c 1990.
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| 300 |
|
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|a XIII, 443 str. ;
|c 23 cm
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| 440 |
|
0 |
|a Texas linguistics series
|
| 505 |
8 |
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|a Chapter I. Working definitions and operational preliminaries
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| 505 |
8 |
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|a 1.1. Tense
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| 505 |
8 |
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|a 1.2. Aspect
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| 505 |
8 |
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|a 1.3. Situation types
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| 505 |
8 |
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|a 3.4. Grammar, discourse, and the meaning of tense-aspect categories
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| 505 |
8 |
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|a 1.5. Tenses pf the past system
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| 505 |
8 |
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|a 1.6. Tenses of the present system
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| 505 |
8 |
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|a 1.7. Tense-aspect in early Romance
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| 505 |
8 |
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|a Chapter 2. A theory of tense-aspect in narrative based on markedness
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| 505 |
8 |
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|a 2.1. The concept of markedness
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| 505 |
8 |
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|a 2.2. Markedness and tense-aspect ategories in narrative
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| 505 |
8 |
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|a Chapter 3: "Ungrammatical" tenses: background of the question
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| 505 |
8 |
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|a 3.1 Scope and phenomenon
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| 505 |
8 |
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|a 3.2. Diegetic and mimetic discourse
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| 505 |
8 |
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|a 3.3. Grammatical "freedom" of the early vernaculars
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| 505 |
8 |
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|a 3.4. Tense alternaton as a mark of "litrary" écritures
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| 505 |
8 |
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|a 3.5. Prosodic considerations
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| 505 |
8 |
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|a 3.6. Aspectual hypotheses and "Situation types"
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| 505 |
8 |
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|a 3.7. The historical present: The "past-more-vivid"
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| 505 |
8 |
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|a 3.8. The narrative present, historical present, and present tense
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| 505 |
8 |
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|a 3.9. Participant tracking
|
| 505 |
8 |
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|a 3.10. From oral performance to écriture: Oral residue in written texts
|
| 505 |
8 |
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|a 3.11. Performed stories: Medieval and modern, natural and artificial
|
| 505 |
8 |
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|a Chapter 4: Narrative discourse: typological considerations
|
| 505 |
8 |
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|a 1.1. Verbal representations of experience: story structure and reality structure
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| 505 |
8 |
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|a 4.2. Differentia specifica of narrative textuality
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| 505 |
8 |
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|a 4.3. Stories, narratives, and other verbalizations of experience
|
| 505 |
8 |
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|a 4.4. Narrative fiction
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| 505 |
8 |
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|a 4.5. Modes of discourse: "storytelling" and "communication"
|
| 505 |
8 |
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|a 4.6. Linguistic marks of storytelling
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| 505 |
8 |
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|a 4.7. Tense and aspect as metalinguistic signals of narrative genres
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| 505 |
8 |
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|a Chapter 5: The linguistic structure of nattative
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| 505 |
8 |
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|a Part I. Temporal structure
|
| 505 |
8 |
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|a 5.1. Speaker-now and story-now
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| 505 |
8 |
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|a 5.2 Retrospective discourse and prospective time
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| 505 |
8 |
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|a 5.3. Iconic sequence and the narrative norm
|
| 505 |
8 |
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|a Part II. Text structure
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| 505 |
8 |
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|a 5.4. The global structure of narrative
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| 505 |
8 |
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|a 5.5. Evaluation
|
| 505 |
8 |
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|a 5.6. Adapting the natural narrative model to complex narrations
|
| 505 |
8 |
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|a 5.7. The clausal structure of narrative
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| 505 |
8 |
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|a 5.8. Conclusion
|
| 505 |
8 |
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|a Chapter 6. Textual functions
|
| 505 |
8 |
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|a Part I. Grounding: The "texture" of the text
|
| 505 |
8 |
|
|a 6.1. The foreground-background contrast
|
| 505 |
8 |
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|a 6.2. Toward a theory of grounding
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| 505 |
8 |
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|a 6.3. Grounding and parataxis
|
| 505 |
8 |
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|a 6.4. Tense-aspect and grounding
|
| 505 |
8 |
|
|a 6.5. Creating cohesion: The chansons de geste
|
| 505 |
8 |
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|a Part II. Boundary marking: The "space" of the text
|
| 505 |
8 |
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|a 6.6. Tense switching and the segmentation of narrative texts
|
| 505 |
8 |
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|a Part III. Information blocking: the "tempo" of the text
|
| 505 |
8 |
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|a 6.7. "Co-subordinate" nexus
|
| 505 |
8 |
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|a 6.8. Pacing the discourse
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| 505 |
8 |
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|a Chapter 7. Expressive functions
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| 505 |
8 |
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|a 7.1. Point of view and focalization
|
| 505 |
8 |
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|a 7.2. The speaer and the experiencer
|
| 505 |
8 |
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|a 7.3. Free indirect discourse
|
| 505 |
8 |
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|a 7.4. Interior monologue
|
| 505 |
8 |
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|a 7.5. Tense, temporality, and focalization
|
| 505 |
8 |
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|a 7.6. Time, tense, and memory in Proust
|
| 505 |
8 |
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|a 7.7. Point of view and the perfect
|
| 505 |
8 |
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|a 7.8. Tense-aspet andpoint of view in natural narration
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| 505 |
8 |
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|a 7.9. Conclusion
|
| 505 |
8 |
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|a Chapter 8. Metalinguistic functions: storytelling in the present
|
| 505 |
8 |
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|a 8.1. Epic storytelling: narration without time
|
| 505 |
8 |
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|a 8.2. Romencero: the fragmeting of narrative
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| 505 |
8 |
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|a 8.3. The historical present and beyond
|
| 505 |
8 |
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|a 8.4. Transformations of narration in th nouveau roman
|
| 505 |
8 |
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|a 8.5. Present-tense fiction: where is it moving?
|
| 653 |
|
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|a pripovijedanje -- teorija
|
| 653 |
|
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|a teorija pripovijedanja
|
| 653 |
|
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|a naratologija
|
| 653 |
|
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|a diskurs
|
| 653 |
|
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|a analiza diskursa
|
| 653 |
|
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|a gramatika -- vrijeme
|
| 653 |
|
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|a srednjovjekovna književnost
|
| 942 |
|
|
|b LIB
|c KNJ
|d KOM | 82.0 | FLE | T
|h EC01
|i FLE T
|6 EC01_FLE_T
|
| 991 |
|
|
|a komIII-890
|
| 992 |
|
|
|a KK
|b ZV
|c 200602
|
| 993 |
|
|
|a poslijediplomski studij književnosti
|
| 999 |
|
|
|c 145846
|d 145846
|
