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|a HR-ZaFF komL3812
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|a HR-ZaFF
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|c HR-ZaFF
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|a 791.43.03(73)
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1 |
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|a Bordwell, David
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| 245 |
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4 |
|a The classical Hollywood cinema :
|b film style & mode of production to 1960 /
|c David Bordwell, Janet Staiger, Kristin Thompson.
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| 260 |
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|a New York :
|b Columbia University Press,
|c cop. 1985.
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| 300 |
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|a 506 str. :
|b ilustr. ;
|c 25 cm
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|a Str. 480-491: Bibliografija
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8 |
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|a Part one: The classical Hollywood style, 1917-60 / David Bordwell : 1. An excesively obvious cinema -- 2. Story causality and motivation -- 3. Classical narration -- 4. Time in the classical film -- 5. Space in the classical film -- 6. Shot and scene -- 7. The bounds of difference
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|a Part two: the Hollywood mode of production to 1930 / Janet Staiger : 8. The Hollywood mode of production: its conndtions of existence -- 9. Standradization and differentiation: the reinforcement and dispersion of Hollywood's practices -- 10. The director system: management in the first years -- 11. The director-unit system: management of multiple-unit companies after 1909 -- 12. The central producer system: centralized management after 1914 -- 13. The division and order of production: the subdivision of the work from the first years through the 1920s
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|a Part three: The formulation of the classical style, 1909-28 / Kristin Thompson : 14. From primitive to classical -- 15. the foumulation of the classical narrative -- 16. The continuity system -- 17. Classical narrative space and the spectator's attention -- 18. The stability of the classical approach after 1917
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|a Part four: Film style and technology to 1930 : 19. Technology, style and mode of production / D. Bordwell and J. Staiger -- 20. Initial standardization of the basic technology / K. Thompson -- 21. Major technological changes of the 1920s / K. Thompson -- 21. Major technological changes of the 1920s / K. Thompson -- 22. The Mazda test of 1928 / D. Bordwell -- 23. The introduction of sound / D. Bordwell
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|a Part five: The Hollywood mode of production, 1930-60 / Janet Staiger : 24. The labor-force, financing and the mode of production -- 25. The producer-unit system: management by specialization after 1931 -- 26. The package-unit system: unit management after 1955
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|a Part six: Film style and technology, 1930-60 / David Bordwell : 27. Deep-focus cinematography -- 28. Technicolor -- 29. Widescreen processes and stereophonic sound
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|a Part seven: Historical implications of the classical Hollywood cinema / David Bordwell and Janest Staiger : 30. Since 1960: the persistence of a mode of film practice -- 31. Alternative modes of film practice
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|a envoi : Appendix A: The unbiased sample -- 32. Appendix B. A brief synopsis of the structure of the United States film industry, 1896-1960 -- Appendix C: Principal structures of the US film industry, 1894-1930 -- Appejdix D: LIghting plots and descriptions
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| 653 |
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|a filmska umjetnost -- Hollywood
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| 653 |
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|a film -- stil
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| 653 |
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|a filmska produkcija
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| 700 |
1 |
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|a Staiger, Janet
|4 aut
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| 700 |
1 |
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|a Thompson, Kristin
|4 aut
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| 942 |
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|b LIB
|c KNJ
|d KOM | 791.43 | BOR | CLAS
|h EC16
|i BOR CLAS
|6 EC16_BOR_CLAS
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|a kom98/97
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|a KK
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| 993 |
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|a dva primjerka za doktorski studij književnosti
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|c 147595
|d 147595
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