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|a HR-ZaFF komL3925
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|a 791.43.01
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| 100 |
1 |
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|a Bordwell, David
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| 245 |
1 |
0 |
|a Making meaning :
|b inference and Rhetoric in the interpretation of cinema /
|c David Bordwell.
|
| 260 |
|
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|a Cambridge, Mass. ;
|a London :
|b Harvard University Press,
|c 1991.
|
| 300 |
|
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|a 334 str. ;
|c 23 cm
|
| 504 |
|
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|a Kazalo
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| 505 |
8 |
|
|a 1.MAKING FILMS MEAN
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| 505 |
8 |
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|a Interpretation as construction
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| 505 |
8 |
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|a Meaning made
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| 505 |
8 |
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|a Interpretive doctrines
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| 505 |
8 |
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|a 2.ROUTINES AND PRACTICES
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| 505 |
8 |
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|a Interpretation, Inc.
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| 505 |
8 |
|
|a The logic of discovery, or, problem-solving
|
| 505 |
8 |
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|a The logic of justification, or, rhetoric
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| 505 |
8 |
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|a An anatomy of interpretation
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| 505 |
8 |
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|a 3.INTERPRETATION AS EXPLICATION
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| 505 |
8 |
|
|a The French connection
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| 505 |
8 |
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|a Explication academicized
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| 505 |
8 |
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|a Picture planes
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| 505 |
8 |
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|a Meaning and unity
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| 505 |
8 |
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|a 4.SYMPTOMATIC INTERPRETATION
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| 505 |
8 |
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|a Culture, dream, and Lauren Bacall
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| 505 |
8 |
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|a Myth as antinomy
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| 505 |
8 |
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|a Systéme á la mode
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| 505 |
8 |
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|a The contradictory text
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| 505 |
8 |
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|a Symptoms and explications
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| 505 |
8 |
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|a 5.SEMANTIC FIELDS
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| 505 |
8 |
|
|a Meaning in structures
|
| 505 |
8 |
|
|a Structures of meaning
|
| 505 |
8 |
|
|a The role of semantic fields
|
| 505 |
8 |
|
|a 6.SCHEMATA AND HEURISTICS
|
| 505 |
8 |
|
|a Mapping as making
|
| 505 |
8 |
|
|a Knowledge structures and routines
|
| 505 |
8 |
|
|a Mapping as modeling
|
| 505 |
8 |
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|a 7.TWO BASIC SCHEMATA
|
| 505 |
8 |
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|a Is there a class for this text?
|
| 505 |
8 |
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|a Making films personal
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| 505 |
8 |
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|a 8.TEXT SCHEMATA
|
| 505 |
8 |
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|a A bull's-eye schema
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| 505 |
8 |
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|a Meaning, inside out and outside in
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| 505 |
8 |
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|a Textual tajectories
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| 505 |
8 |
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|a Doctrines into diachronies
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| 505 |
8 |
|
|a 9.INTERPRETATION AS RHETORIC
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| 505 |
8 |
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|a Sample strategies
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| 505 |
8 |
|
|a Theory talk
|
| 505 |
8 |
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|a 10.RHETORIC IN ACTION: SEVEN MODELS OF "PSYCHO"
|
| 505 |
8 |
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|a Jean Douchet, "Hitch and his public"
|
| 505 |
8 |
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|a Robin Wood, "Pxycho", Hitchock's films
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| 505 |
8 |
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|a Raymond Durgnat "Inside Norman Bates", films and feelings
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| 505 |
8 |
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|a V. F. Perkins, "The World and its Image", film as film
|
| 505 |
8 |
|
|a Raymond Bellour, "Psychosis, neurosis, perversion"
|
| 505 |
8 |
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|a Barbara Klinger, "Psycho: the institutionalization of female sexuality"
|
| 505 |
8 |
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|a Leland Poague, "Links in a chain: Psycho and film classicism"
|
| 505 |
8 |
|
|a 11.WHY NOT TO READ A FILM
|
| 505 |
8 |
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|a The ends of interpretation
|
| 505 |
8 |
|
|a The ends of interpretation?
|
| 505 |
8 |
|
|a Prospects for a poetic
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| 653 |
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|a film
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|a teorija filma
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| 653 |
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|a filmski diskurs
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| 653 |
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|a filmska kritka
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| 942 |
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|b LIB
|c KNJ
|d KOM | 791.43 | BOR | M
|h EC16
|i BOR M
|6 EC16_BOR_M
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| 991 |
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|a kom99/61
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| 991 |
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|a kom02/290
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| 991 |
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|a fil16081
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|a KK
|b ŽV
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