Narration in the fiction film
| Permalink: | http://skupni.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:147710/TOC |
|---|---|
| Glavni autor: | Bordwell, David (-) |
| Vrsta građe: | Knjiga |
| Jezik: | eng |
| Impresum: |
London :
Routledge,
cop.1985.
|
| Predmet: |
Sadržaj:
- PART ONE: Some theories of narration
- 1. Mimetic theories of narration
- Perspective as narration
- Perspective and point of view in literature
- The invisible observer
- Eisenstein. Narration as scenography
- 2. Diegetic theories of narration
- Film narration as metalanguage
- Film narration as enunciation
- PART TWO: Narration and film form
- 3. The viewer's activity
- A sketch for a psychology of filmic perception and cognition
- Narrative comprehension
- Believing and seeing
- 4. Principles of narration
- Fabula, syuzhet, and style
- Tactics od syuzhet construction
- Knowledge, self-consciousness, and communicativeness
- Narrator, author
- 5. Sin, murder, and narration
- The detective film
- The melodrama
- 6. Narration and time
- Features of temporal construction
- Temporal stratagems and spoils
- 7. Narration and space
- Construction space
- Perspective and the spectator
- Ideal positionality: shot/reverse shot
- Cues, features, and functions
- Space in "The Confrontation"
- PART THREE: Historical modes of narration
- 8. Modes and norms
- 9. Classical narration: The Hollywood example
- Canonic narration
- Classical style
- The classical spectator
- Seven films, eight segments
- 10. Art-cinemy narration
- Objectivity, subjectivity, authority
- The game of form
- The art cinema history
- 11. Historical-materialist narration: The Soviet example
- Narration as rhetoric
- Predictable fabula, unpredictable narration
- "The New Babylon"
- Toward an interrogative cinema
- 12. Parametric narration
- A new role of style
- Shapes and strategies
- The parameters of "pickpocket"
- The problem of Modernism
- 13. Godard and narration
- Schemata in conflict
- Spatializing narration
- Narrator and palimpsest
- 1968 and after