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|a 0521413028
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|a HR-ZaFF komL4083
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|a HR-ZaFF
|b hrv
|c HR-ZaFF
|e ppiak
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|a 82.07
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| 100 |
1 |
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|a Attridge, Derek
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| 245 |
1 |
0 |
|a Poetic rhythm :
|b an introduction /
|c Derek Attridge.
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| 260 |
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|a Cambridge :
|b Cambridge University Press,
|c cop. 1995.
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| 300 |
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|a 274 str. ;
|c 23 cm
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| 500 |
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|a 3TUF
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| 504 |
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|a Rječnik
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|a Kazalo
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8 |
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|a I.THE RHYTHMS OF POETRY: A FIRST APPROACH
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8 |
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|a Reading poetry
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| 505 |
8 |
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|a Some basic terms
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| 505 |
8 |
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|a 1. Rhythm
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| 505 |
8 |
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|a 2. Verse
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| 505 |
8 |
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|a 3. Free verse
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| 505 |
8 |
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|a 4. Meter and metrical verse
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| 505 |
8 |
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|a 5. Beat
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| 505 |
8 |
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|a 6. Some other terms
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| 505 |
8 |
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|a Types of meter
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| 505 |
8 |
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|a Functions of rhythm in poetry
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|a 1. The poem in general
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|a 2. Within the poem
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8 |
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|a II. THE RHYTHMS OF SPOKEN ENGLISH
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8 |
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|a Syntax
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8 |
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|a Syllables
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8 |
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|a Stress
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| 505 |
8 |
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|a 1. Word-stress
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| 505 |
8 |
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|a 2. Phrasal stress
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| 505 |
8 |
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|a Speech rhythms
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| 505 |
8 |
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|a 1. Syllables and stresses
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| 505 |
8 |
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|a 2. Stress groups
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| 505 |
8 |
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|a 3. Alternation
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| 505 |
8 |
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|a III. DANCING LANGUAGE
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| 505 |
8 |
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|a The familiarity of meter
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| 505 |
8 |
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|a How dose language become metrical?
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| 505 |
8 |
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|a The four-beat rhythm
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| 505 |
8 |
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|a 1. The four-by-four formation
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| 505 |
8 |
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|a 2. Actual and virtual beats
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| 505 |
8 |
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|a IV. STRESS VERSE AND STRONG-STRESS VERSE: COUNTING THE BEATS
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| 505 |
8 |
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|a Stress meter
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| 505 |
8 |
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|a 1. Beats and the scansion of stress verse
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| 505 |
8 |
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|a 2. Offbeats
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| 505 |
8 |
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|a 3. Demotion
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| 505 |
8 |
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|a 4. Promotion
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| 505 |
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|a 5. Quadruple verse
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| 505 |
8 |
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|a 6. Duple and triple meters
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| 505 |
8 |
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|a 7. Demotion and promotion in triple verse
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| 505 |
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|a 8. Rising and falling rhythms
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| 505 |
8 |
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|a Strong-stress meter
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| 505 |
8 |
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|a 1. Old and Middle English
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| 505 |
8 |
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|a 2. Rap
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| 505 |
8 |
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|a V. SYLLABLE-STRESS VERSE: VERSATILITY AND VERIATION
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| 505 |
8 |
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|a Stress meter and syllable-stress meter
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| 505 |
8 |
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|a Duple syllable-stress meter
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| 505 |
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|a 1. Beginnings and endings of lines
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| 505 |
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|a 2. Rising and falling rhythms
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| 505 |
8 |
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|a 3. Beats and offbeats, demotion and promotion
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| 505 |
8 |
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|a 4. Inversion
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| 505 |
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|a 5. Free double offbeats
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| 505 |
8 |
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|a 6. Elision
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| 505 |
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|a 7. Emphatic stress
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| 505 |
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|a 8. Reading and scanning duple syllable-stress verse
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| 505 |
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|a Tryple syllable-stress meter
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| 505 |
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|a Foot-scansion
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| 505 |
8 |
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|a VI. MAJOR TYPES OF SYLLABLE-STRESS VERSE
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| 505 |
8 |
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|a Four-beat verse
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| 505 |
8 |
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|a Resisting the four-by-four formation
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| 505 |
8 |
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|a lambic pentameter
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| 505 |
8 |
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|a 1. Constraints on five-beat verse
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| 505 |
8 |
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|a 2. The movement of five-beat verse
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| 505 |
8 |
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|a VII. FREE VERSE: METRICAL AND RHYTHMIC ANALYSIS
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| 505 |
8 |
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|a Free verse and metrical verse
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| 505 |
8 |
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|a Metrical analysis
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| 505 |
8 |
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|a Rhythmic analysis
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| 505 |
8 |
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|a VIII. PHRASAL MOVEMENT
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| 505 |
8 |
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|a The importance of phrasing
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| 505 |
8 |
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|a Analyzing phrasal movement in a poem
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| 505 |
8 |
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|a Some basic principles
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| 505 |
8 |
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|a Phrasing in free verse
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| 653 |
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|a ritam
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| 653 |
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|a versifikacija
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| 942 |
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|b LIB
|c KNJ
|d KOM | 82.07 | ATT | P
|h EC01.4
|i ATT P
|6 EC014_ATT_P
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| 991 |
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|a komIII-941
|
| 991 |
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|a kom08/425
|
| 991 |
|
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|a kom08/426
|
| 991 |
|
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|a kom08/427
|
| 992 |
|
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|a KK
|b ŽV
|c 200611
|
| 993 |
|
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|a poslijediplomski studij književnosti
|
| 999 |
|
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|c 147865
|d 147865
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