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|a HR-ZaFF komL6064
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|a HR-ZaFF
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|e ppiak
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|a 82.0
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1 |
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|a Gibson, Andrew
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| 245 |
1 |
0 |
|a Towards a postmodern theory of narrative /
|c Andrew Gibson.
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| 260 |
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|a Edinburgh :
|b Edinburgh University Press,
|c cop. 1996.
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| 300 |
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|a viii, 301 str. ;
|c 22 cm
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| 440 |
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0 |
|a Postmodern theory
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| 500 |
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|a 2MUVF
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| 504 |
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|a Str. 279: Bibliografija
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| 504 |
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|a Kazalo
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| 505 |
8 |
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|a INTRODUCION
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| 505 |
8 |
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|a The narratological imaginary
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| 505 |
8 |
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|a Postmodern spaces: Virilio, Almereyda, interactive fiction
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| 505 |
8 |
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|a Serres and narrative space
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| 505 |
8 |
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|a Geometrics and the'Fixed point'
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| 505 |
8 |
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|a Deconstructing narratology
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| 505 |
8 |
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|a CHAPTER 1. NARRATIVE FORCE
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| 505 |
8 |
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|a Form and force
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| 505 |
8 |
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|a Some versions of force
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| 505 |
8 |
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|a Seleuzean energetics
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| 505 |
8 |
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|a Lyotardian energetics
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| 505 |
8 |
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|a CHAPTER 2. DECONSTRUCTING REPRESENTATION: NARRATIVE AS INAUGURATION
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| 505 |
8 |
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|a The mimetic fix
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| 505 |
8 |
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|a Representation, surface and depths
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| 505 |
8 |
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|a 'Inauguration'from Heidegger to Vattimo Rosset and Godard
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| 505 |
8 |
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|a Inauguration and mimesis
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| 505 |
8 |
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|a CHAPTER 3. INTERROGATION OF THEMATICS: NARRATIVE AND THE HYMEN
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| 505 |
8 |
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|a The limits of thematics
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| 505 |
8 |
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|a Serres, critique and the 'Excluded third'
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| 505 |
8 |
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|a Derrida, deconstruction and thematics
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| 505 |
8 |
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|a Feminist theory and the problem of the 'versus'
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| 505 |
8 |
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|a Reading and the narrative hymen
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| 505 |
8 |
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|a CHAPTER 4. NARRATIVE, VOICES, WRITING
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| 505 |
8 |
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|a The question of speakability
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| 505 |
8 |
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|a A difference with dialogics
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| 505 |
8 |
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|a Feminist theory and the pluralisation of voice
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| 505 |
8 |
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|a Dethroning the "Phone"
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| 505 |
8 |
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|a Joyce's writing voices
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| 505 |
8 |
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|a CHAPTER 5. NARRATIVE AND THE EVENT
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| 505 |
8 |
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|a "Aion" and "Chronos"
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| 505 |
8 |
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|a Narrative and "Ereignis": some postmodern critics
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| 505 |
8 |
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|a Cases for the defence: Badiou, Rorty, Kundera
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| 505 |
8 |
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|a Narrative by Renault and Tarkovsky
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| 505 |
8 |
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|a Narrating the event
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| 505 |
8 |
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|a CHAPTER 6. NARRATIVE LATERALITY
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| 505 |
8 |
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|a Stratifications
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| 505 |
8 |
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|a Theory and the collapse of hierarchies
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| 505 |
8 |
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|a Narrative Laterals from Robbe-Grillet to Fielding
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| 505 |
8 |
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|a CHAPTER 7. NARRATIVE AND MONSTROSITY
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| 505 |
8 |
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|a Theory and monstrosity
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| 505 |
8 |
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|a Reception theory and the antropological dyad
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| 505 |
8 |
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|a 'Virtual realism', cyberfeminism
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| 505 |
8 |
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|a Aesthetics of monstrosity: Becketts "trilogy"
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| 505 |
8 |
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|a APPENDIX
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| 505 |
8 |
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|a Interactiove fiction, space, event
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| 653 |
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|a teorija književnosti
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| 653 |
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|a književna teorija
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| 653 |
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|a postmodernizam
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| 653 |
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|a postmoderna
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| 653 |
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|a pripovijedanje -- teorija
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| 653 |
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|a teorija pripovijedanja
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| 653 |
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|a naratologija
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| 942 |
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|b LIB
|c KNJ
|d KOM | 82.0 | GIB | T
|h EC01
|i GIB T
|6 EC01_GIB_T
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| 991 |
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|a komIII-984
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| 991 |
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|a komIII-1001
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| 991 |
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|a komIII-1002
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| 992 |
|
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|a KK
|b ŽV
|c 200801
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| 993 |
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|a poslijediplomski studij književnosti
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| 999 |
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|c 149900
|d 149900
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