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|a 0801859425
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| 035 |
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|a HR-ZaFF komL6118
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|a HR-ZaFF
|b hrv
|c HR-ZaFF
|e ppiak
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| 080 |
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|a 82.0
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| 100 |
1 |
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|a Cohn, Dorrit
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| 245 |
1 |
4 |
|a The distinction of fiction /
|c Dorrit Cohn.
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| 260 |
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|a Baltimore and London :
|b The Johns Hopkins University Press,
|c cop. 1999.
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| 300 |
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|a ix, 197 str. ;
|c 24 cm
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| 504 |
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|a Str. 181: Bibliografija
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| 504 |
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|a Kazalo
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| 505 |
8 |
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|a 1. Focus in fiction
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| 505 |
8 |
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|a 2. Fictional versus historical lives: bordelines and bordeline cases
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| 505 |
8 |
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|a 3. Freud's case histories and the question of fictionality
|
| 505 |
8 |
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|a 4. Proust's generic ambiguity
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| 505 |
8 |
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|a 5. Breaking the code of fictional biography: Wolfgang Hilderscheimer's "Marbot"
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| 505 |
8 |
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|a 6. "I doze and wake": the deviance of simultaneous narration
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| 505 |
8 |
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|a 7. Signposts of fictionality: a narratological perspective
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| 505 |
8 |
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|a 8. The "Second author" of "Death in Venice"
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| 505 |
8 |
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|a 9. Pierre and Napoleon at Borodino: reflections on the historical novel
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| 505 |
8 |
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|a 10. Optics and power in the novel
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| 653 |
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|a povijest u književnosti
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| 653 |
|
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|a pripovijedanje -- teorija
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| 653 |
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|a teorija pripovijedanja
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| 653 |
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|a naratologija
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| 653 |
|
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|a stilistika
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| 653 |
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|a mimeza
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| 653 |
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|a oponašanje
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| 653 |
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|a fikcija
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| 653 |
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|a Freud, Sigmund
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| 653 |
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|a Hildersheimer, W.
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| 653 |
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|a Smrt u Veneciji
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| 653 |
|
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|a Proust, Marcel
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| 942 |
|
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|b LIB
|c KNJ
|d KOM | 82.0 | COH | D
|h EC01
|i COH D
|6 EC01_COH_D
|
| 991 |
|
|
|a kom2000/225
|
| 991 |
|
|
|a komIII-3949
|
| 992 |
|
|
|a KK
|b ŽV
|c 200801
|
| 993 |
|
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|a REF(d)
|
| 999 |
|
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|c 149953
|d 149953
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