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|a HR-ZaFF komL6331
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|a HR-ZaFF
|b hrv
|c HR-ZaFF
|e ppiak
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|a 792
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| 100 |
1 |
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|a Diamond, Elin
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| 245 |
1 |
0 |
|a Unmaking mimesis :
|b essays on feminism and theater /
|c Elin Diamond.
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| 260 |
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|a London ;
|a New York :
|b Routledge,
|c cop. 1997.
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| 300 |
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|a xvi, 226 str. ;
|c 24 cm
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| 504 |
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|a Bibliografske bilješke
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| 504 |
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|a Kazalo
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| 505 |
8 |
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|a PART I: UNMAKING MIMESIS
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| 505 |
8 |
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|a 1. Relism's hysteria: disruption in the theater of knowledge
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| 505 |
8 |
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|a ...
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| 505 |
8 |
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|a PART II: GESTIC FEMINIST CRITICISM
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| 505 |
8 |
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|a 2. BRECHTIAN THEORY/FEMINIST THEORY: TOWARD A GESTIC FEMINIST CRITICISM
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| 505 |
8 |
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|a ...
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| 505 |
8 |
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|a 3. 'GESTUS', SIGNATURE, BODY IN THE THE THEATER OF APHRA BEHN
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| 505 |
8 |
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|a ...
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| 505 |
8 |
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|a 4. CARYL CHURCHILL'S PLAYS: THE 'GESTUS' OF INVISIBILITY
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| 505 |
8 |
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|a ...
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| 505 |
8 |
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|a PART III: TOWARD A FEMINIST POSTMODERN
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| 505 |
8 |
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|a INTRODUCTION: MIMESIS IN SYNCOPATED TIME
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| 505 |
8 |
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|a 5. IDENTIFICATION AND MIMESIS: THE THEATER OF ADRIENNE KENNEDY
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| 505 |
8 |
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|a ...
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| 505 |
8 |
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|a 6. PERFORMANCE AND TEMPORALITY: FEMINISM, EXPERIENCE, MIMETIC TRANSFORMATION
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| 505 |
8 |
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|a ...
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| 653 |
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|a feminizam
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| 653 |
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|a kazalište
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| 653 |
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|a Brecht, Bertolt
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| 653 |
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|a Behn, A.
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| 653 |
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|a Churchill, C.
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| 653 |
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|a Kennedy, A.
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| 653 |
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|a Freud, Sigmund
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| 653 |
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|a Shaw, P.
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| 653 |
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|a MacCauley, R.
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| 653 |
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|a McCauley, R.
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| 653 |
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|a Margolin, D.
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| 942 |
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|b LIB
|c KNJ
|d KOM | 792 | DIA | U
|h EC15.1
|i DIA U
|6 EC151_DIA_U
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| 991 |
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|a komIII-1073
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| 991 |
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|a komF-1712
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| 991 |
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|a komF-1713
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| 992 |
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|a KK
|b ŽV
|c 200802
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| 993 |
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|a poslijediplomski studij književnosti
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| 999 |
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|c 150169
|d 150169
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