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|a HR-ZaFF komL6349
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|a 82.0
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| 100 |
1 |
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|a Hutcheon, Linda
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| 245 |
1 |
0 |
|a Irony's edge :
|b the theory and politics of irony /
|c Linda Hutcheon.
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| 260 |
|
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|a London ;
|a New York :
|b Routledge,
|c cop. 1995.
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| 300 |
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|a x, 248 str. ;
|c 24 cm
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| 504 |
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|a Str. 210: Bibliografija
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| 504 |
|
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|a Kazala
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| 505 |
8 |
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|a Introduction: the "scene" of irony
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| 505 |
8 |
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|a 1. Risky business: the "transideological" politics of irony
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| 505 |
8 |
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|a 2. The cutting edge
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| 505 |
8 |
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|a I Emotions and ethic on edge
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| 505 |
8 |
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|a II The "devil's mark" or the "snorkel of sanity": the contradictory functions and effects of irony
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| 505 |
8 |
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|a 3. Modeling meaning: the semantics of irony
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| 505 |
8 |
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|a I Images 'en route' to a definition
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| 505 |
8 |
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|a II Theater goes to the movies: Henry V
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| 505 |
8 |
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|a 4. Discursive communities: how irony "happens"
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| 505 |
8 |
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|a I The miracle of ironic communication
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| 505 |
8 |
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|a II Provocation and controversy: the work of Anselm Kiefer
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| 505 |
8 |
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|a 5. Intention and interpretation: irony and the eye of the beholder
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| 505 |
8 |
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|a I The unbearable slipperiness of irony
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| 505 |
8 |
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|a II Eco's echoes and Wagner's vicissitudes
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| 505 |
8 |
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|a 6. Frame-ups and their marks: the recognition or attribution of irony
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| 505 |
8 |
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|a I The sign(s) of a beast - in context
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| 505 |
8 |
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|a II Tricksters and 'enfant terribles': performing ironies
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| 505 |
8 |
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|a 7. The end(s) of irony: the politics of appropriateness
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| 505 |
8 |
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|a Notes
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| 505 |
8 |
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|a Bibliography
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| 505 |
8 |
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|a Name index
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| 505 |
8 |
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|a Subject index
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| 653 |
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|a ironija
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| 942 |
|
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|b LIB
|c KNJ
|d KOM | 82.0 | HUT | I
|h EC01
|i HUT I
|6 EC01_HUT_I
|
| 991 |
|
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|a kom2001/68
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| 991 |
|
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|a komIII-1182
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| 991 |
|
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|a komIII-1183
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| 992 |
|
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|a KK
|b ŽV
|c 200802
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| 993 |
|
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|a dva primjerka za poslijediplomski studij književnosti
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| 999 |
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|c 150181
|d 150181
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