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|a HR-ZaFF komL8379
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|a 82.09 : 1
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| 080 |
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|a 1
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| 100 |
1 |
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|a Critchley, Simon
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| 245 |
1 |
0 |
|a Very little ... almost nothing :
|b death, philosophy, literature /
|c Simon Critchley.
|
| 260 |
|
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|a London ;
|a New York :
|b Routledge,
|c 1997.
|
| 300 |
|
|
|a xi, 216 str. :
|b ilustr. ;
|c 24 cm
|
| 440 |
|
0 |
|a Warwick studies in European philosophy
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| 500 |
|
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|a TUVF
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| 504 |
|
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|a Str. 181-205: Bibliografija
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| 504 |
|
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|a Kazalo
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| 505 |
8 |
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|a Preamble: Travels in nihilon
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| 505 |
8 |
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|a (a) Philosophy begins in disappointment
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| 505 |
8 |
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|a (b) Pre-Nietzschean nihilism
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| 505 |
8 |
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|a (c) Nietzschean nihilism
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| 505 |
8 |
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|a (d) Responding to nihlism: five possibilities
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| 505 |
8 |
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|a (e) Heidegger's transformation of Nietzschean nihilism
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| 505 |
8 |
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|a (f) Heidegger 'contra' Jünger
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| 505 |
8 |
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|a (g) Impossible redemption: Adrono on nihilism
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| 505 |
8 |
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|a (h) Learning how to die - the argument
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| 505 |
8 |
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|a Lecture 1: Il y a
|
| 505 |
8 |
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|a (a) Reading Blanchot
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| 505 |
8 |
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|a (b) How is literature possible?
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| 505 |
8 |
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|a (c) Orpheus, or the law of desire
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| 505 |
8 |
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|a (d) Blanchot's genealogy of morals: esteriority as desire, exteriority as law
|
| 505 |
8 |
|
|a (e) Il y a - the origin of the artwork
|
| 505 |
8 |
|
|a (i) first slope - Hegel avec Sade
|
| 505 |
8 |
|
|a (ii) second slope - a fate worse than death
|
| 505 |
8 |
|
|a (iii) ambiguity - Blanchot's secret
|
| 505 |
8 |
|
|a (f) The (im)possibility of death - or, how would Blanchot read Blanchot if he were not Blanchot?
|
| 505 |
8 |
|
|a (g) Holding Levinas's hand to Blanchot's fire
|
| 505 |
8 |
|
|a (i) a dying future
|
| 505 |
8 |
|
|a (ii) atheist transcendence
|
| 505 |
8 |
|
|a Lecture 2: Unworking romanticism
|
| 505 |
8 |
|
|a (a) Our naiveté
|
| 505 |
8 |
|
|a (i) Kantian fragmentation
|
| 505 |
8 |
|
|a (ii) deepest naivité - political romanticism
|
| 505 |
8 |
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|a (iii) Hegel, Schlegel
|
| 505 |
8 |
|
|a (iv) romantic modernity
|
| 505 |
8 |
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|a (b) Digression I: Imagination as resistance (Wallace Stevens)
|
| 505 |
8 |
|
|a (c) Romantic ambiguity
|
| 505 |
8 |
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|a (i) the fragment
|
| 505 |
8 |
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|a (ii) wit and irony
|
| 505 |
8 |
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|a (iii) the non-romantic essence of romanticism
|
| 505 |
8 |
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|a (d) Cavell's 'romanticism'
|
| 505 |
8 |
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|a (i) the romanticization of everyday life
|
| 505 |
8 |
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|a (ii) Emerson as the literary absolute
|
| 505 |
8 |
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|a (e) Digression II: Why Stanley loves America and why we should too
|
| 505 |
8 |
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|a (f) Cavell's romanticism
|
| 505 |
8 |
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|a (i) I live my scepticism
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| 505 |
8 |
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|a (ii) Cavell's tragic wisdom
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| 505 |
8 |
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|a (iii) finiteness, limitedness
|
| 505 |
8 |
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|a Lecture 3: Know happiness - on Beckett
|
| 505 |
8 |
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|a (a) Beckett and philosophical interpretation
|
| 505 |
8 |
|
|a (b) The dredging machine (Derrida)
|
| 505 |
8 |
|
|a (c) The meaning of meaninglessness and the paradoxical task of interpretation (Adorno I)
|
| 505 |
8 |
|
|a (d) Hope against hope - the elevation of social sriticism to the level of form (Adorno II)
|
| 505 |
8 |
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|a (e) Nothing is funnier than unhappiness - Beckett's laughter (Adorno III)
|
| 505 |
8 |
|
|a (f) Storytime, time of death (Molloy, Malone dies)
|
| 505 |
8 |
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|a (g) My old aporetics - the syntax of weakness (The unnameable)
|
| 505 |
8 |
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|a (h) Who speaks? Not I (Blanchot)
|
| 505 |
8 |
|
|a (i) No happiness? (Cavell)
|
| 653 |
|
|
|a filozofija, moderna
|
| 653 |
|
|
|a književnost -- književne studije
|
| 653 |
|
|
|a nihilizam
|
| 653 |
|
|
|a smrt
|
| 653 |
|
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|a Nietzsche, Friedrich
|
| 653 |
|
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|a Lévinas, Emmanuel
|
| 653 |
|
|
|a Derrida, Jacques
|
| 653 |
|
|
|a Blanchot, Maurice
|
| 653 |
|
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|a Cavell, Stanley
|
| 653 |
|
|
|a Heidegger, Martin
|
| 653 |
|
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|a Adorno, Theodor Wiesengrund
|
| 653 |
|
|
|a Stevens, Wallace
|
| 653 |
|
|
|a Beckett, Samuel
|
| 942 |
|
|
|b LIB
|c KNJ
|h EC01.6
|i CRIT V
|6 EC016_CRIT_V
|
| 991 |
|
|
|a kom06/112
|
| 992 |
|
|
|a KK
|b ZV
|c 20060314
|
