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|a 063120654X
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|a HR-ZaFF komL8450
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|a HR-ZaFF
|b hrv
|c HR-ZaFF
|e ppiak
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|a 791.43
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| 100 |
1 |
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|a Stam, Robert
|
| 245 |
1 |
0 |
|a Film theory :
|b an introduction /
|c Robert Stam.
|
| 260 |
|
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|a Malden, Mass. :
|b Blackwell,
|c 2000.
|
| 300 |
|
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|a x, 381 str. ;
|c 24 cm
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| 500 |
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|a 1TUVF
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| 504 |
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|a Str. 341-368: Bibliografija
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| 504 |
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|a Kazalo
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| 505 |
8 |
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|a The antecendents of film theory
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| 505 |
8 |
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|a Film and film theory: the beginnings
|
| 505 |
8 |
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|a Early silent film theory
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| 505 |
8 |
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|a The essence of cinema
|
| 505 |
8 |
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|a The Soviet montage-theorists
|
| 505 |
8 |
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|a Russian Formalism and the Bakhtin school
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| 505 |
8 |
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|a The historical Avant-gardes
|
| 505 |
8 |
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|a The debate after sound
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| 505 |
8 |
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|a The Frankfurt school
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| 505 |
8 |
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|a The phenomenology of Realism
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| 505 |
8 |
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|a The cult of the auteur
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| 505 |
8 |
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|a The Americanizaton of Auteur theory
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| 505 |
8 |
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|a The world film and theory
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| 505 |
8 |
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|a The advent of Structuralism
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| 505 |
8 |
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|a The question of film language
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| 505 |
8 |
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|a Cinemeatic specificity revisited
|
| 505 |
8 |
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|a Interrogating autorship and genre
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| 505 |
8 |
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|a 1968 and the leftist turn
|
| 505 |
8 |
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|a The classic realist text
|
| 505 |
8 |
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|a The presence of Brecht
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| 505 |
8 |
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|a The politics of reflexivity
|
| 505 |
8 |
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|a The search for alternative aesthetics
|
| 505 |
8 |
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|a From linguistics to psychoanalysis
|
| 505 |
8 |
|
|a The Feminist intervention
|
| 505 |
8 |
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|a The poststructuralist mutation
|
| 505 |
8 |
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|a Textual analysis
|
| 505 |
8 |
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|a Interpretation and its discontents
|
| 505 |
8 |
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|a From text to intertext
|
| 505 |
8 |
|
|a The amplification of sound
|
| 505 |
8 |
|
|a The rise of cultural studies
|
| 505 |
8 |
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|a The birth of the spectator
|
| 505 |
8 |
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|a Cognitive and analytic theory
|
| 505 |
8 |
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|a Semiotics revisited
|
| 505 |
8 |
|
|a Just in time: the impact of Deleuze
|
| 505 |
8 |
|
|a The coming out of queer theory
|
| 505 |
8 |
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|a Multiculturalism, race, and representation
|
| 505 |
8 |
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|a Third cinema revisited
|
| 505 |
8 |
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|a Film and the postcolonial
|
| 505 |
8 |
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|a The poetics and politics of Postmodernism
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| 505 |
8 |
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|a The social valence of mass-culture
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| 505 |
8 |
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|a Post-cinema: digital theory and the new media
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| 505 |
8 |
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|a The pluralization of film theory
|
| 653 |
|
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|a teorija filma - filozofija
|
| 942 |
|
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|b LIB
|c KNJ
|d KOM | 791.43 | STA | F
|h EC16
|i STA F
|6 EC16_STA_F
|
| 991 |
|
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|a komIII-3187
|
| 991 |
|
|
|a komIII-3188
|
| 991 |
|
|
|a komIII-3189
|
| 991 |
|
|
|a kom06/206
|
| 992 |
|
|
|a KK
|b ZV
|c 200605
|
| 993 |
|
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|a doktorski studij književnosti
|
