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|a 081223054X
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|a HR-ZaFF komL8528
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|a HR-ZaFF
|b hrv
|c HR-ZaFF
|e ppiak
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|a 792.02 : 81'22
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| 080 |
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|a 81'22
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| 100 |
1 |
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|a Alter, Jean
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| 245 |
1 |
2 |
|a A sociosemiotic theory of theatre /
|c Jean Alter.
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| 260 |
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|a Philadelphia :
|b University of Pennsylvania Press,
|c cop. 1990.
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| 300 |
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|a xii, 281 str. ;
|c 24 cm
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| 500 |
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|a 3MUVF
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| 504 |
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|a Str. [271]-277: Bibliografija
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| 504 |
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|a Kazalo
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| 505 |
8 |
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|a Preface
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| 505 |
8 |
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|a Introduction: Foundations
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| 505 |
8 |
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|a 1. What theatre?
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| 505 |
8 |
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|a 2. What seciosemiotics?
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| 505 |
8 |
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|a I: Reference and performance
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| 505 |
8 |
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|a 1. Origins: referential theories
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| 505 |
8 |
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|a Mimesis: theatre as imitation
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| 505 |
8 |
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|a Rituals and speech acts: theatre as action
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| 505 |
8 |
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|a Shamans and structures: theatre as revelation
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| 505 |
8 |
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|a 2. Origins: perfomant theories
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| 505 |
8 |
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|a The game principle: theatre as necessity
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| 505 |
8 |
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|a The comedian's theatre: acting out
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| 505 |
8 |
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|a Social roles and rules: theatre as life
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| 505 |
8 |
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|a Aesthetic demands: theatre as art
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| 505 |
8 |
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|a 3. Performant function in action
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| 505 |
8 |
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|a Sports: objective 'performances'
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| 505 |
8 |
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|a Circus: magic 'performances'
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| 505 |
8 |
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|a Theatre: intermittent 'performances'
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| 505 |
8 |
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|a Interaction between referential and 'performant' functions
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| 505 |
8 |
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|a Assessing theatrical 'performances': techniques and styles
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| 505 |
8 |
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|a Nontheatrical (cultural) 'performances'
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| 505 |
8 |
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|a Semiotics of 'performances': deconstructing signs
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| 505 |
8 |
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|a III. A grammar of theatre referentiality
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| 505 |
8 |
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|a 1. A story told with signs
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| 505 |
8 |
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|a 2. Primary signs: iconicity
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| 505 |
8 |
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|a 3. Cultural stage signs
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| 505 |
8 |
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|a Modes of insertion: primary and cultural signs
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| 505 |
8 |
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|a Simple and complex signs
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| 505 |
8 |
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|a Story signs: intentionality and causality
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| 505 |
8 |
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|a Signs for the audience: commentary
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| 505 |
8 |
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|a 4. The "Absent" cause: point and meaning of story
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| 505 |
8 |
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|a 5. A case study: Mnouchkine's 'Richard II'
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| 505 |
8 |
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|a III: Transformational processes: production/reception
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| 505 |
8 |
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|a 1. Theatricality: theatre as a series of transformations
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| 505 |
8 |
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|a 2. Textual transformations of the text
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| 505 |
8 |
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|a Literary, theatrical, and staged texts
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| 505 |
8 |
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|a Conventional transformation: discounting stage directions
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| 505 |
8 |
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|a Covert transformation: altering the dialogue
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| 505 |
8 |
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|a 3. Referential transformations of the text
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| 505 |
8 |
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|a Referential tensions in virtual performances
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| 505 |
8 |
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|a Altering virtual performances: wild of probable referents
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| 505 |
8 |
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|a 4. From text to stage: parameters of transformation
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| 505 |
8 |
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|a Open and closed texts: textual transformability
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| 505 |
8 |
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|a Types of transformed performances
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| 505 |
8 |
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|a Text-oriented performances
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| 505 |
8 |
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|a Performances inspired by the performant function
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| 505 |
8 |
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|a Ideologically oriented performances
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| 505 |
8 |
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|a 5. Transformational strategies of stage signs
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| 505 |
8 |
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|a Confirmation
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| 505 |
8 |
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|a Reinforcement
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| 505 |
8 |
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|a Restriction
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| 505 |
8 |
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|a Subversion
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| 505 |
8 |
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|a Diversion: substituting and masking strategies
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| 505 |
8 |
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|a 6. Reception
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| 505 |
8 |
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|a Reception and the consumer society
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| 505 |
8 |
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|a Reception and the performant function
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| 505 |
8 |
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|a Referential reception
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| 505 |
8 |
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|a Concretization in theatre
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| 505 |
8 |
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|a Restructuring imaginary worlds: play in the gap
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| 505 |
8 |
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|a What reception data and texts?
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| 505 |
8 |
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|a IV: Playwrights, directors, actors, and their work
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| 505 |
8 |
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|a 1. "Authors" and the production od dramatic texts
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| 505 |
8 |
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|a Absent, mediating, involved, and dead authors
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| 505 |
8 |
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|a Variations in authorial authority
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| 505 |
8 |
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|a Production of the text
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| 505 |
8 |
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|a A short statement on theory and method
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| 505 |
8 |
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|a Illustration: Corneille's 'Le Cid'
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| 505 |
8 |
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|a 2. Directors and society
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| 505 |
8 |
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|a "Absent" and "collective" directors
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| 505 |
8 |
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|a Individual directors: tensions and strategies
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| 505 |
8 |
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|a 3. Actors and their paradoxes
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| 505 |
8 |
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|a Actors and social subversion
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| 505 |
8 |
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|a Actors and staging styles
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| 505 |
8 |
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|a Actors as signs and producers of signs
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| 505 |
8 |
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|a Actors and the audience
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| 505 |
8 |
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|a Bibliography
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| 505 |
8 |
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|a Index
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| 653 |
|
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|a kazalište -- semiotika
|
| 653 |
|
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|a socijalna semiotika
|
| 942 |
|
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|b LIB
|c KNJ
|d KOM | 792 | ALT | S
|h EC15.1
|i ALT S
|6 EC151_ALT_S
|
| 991 |
|
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|a komIII-2935
|
| 991 |
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|a kom08/554
|
| 991 |
|
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|a kom08/555
|
| 991 |
|
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|a kom08/556
|
| 992 |
|
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|a KK
|b ZV
|c 20061003
|
| 993 |
|
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|a poslijediplomski studij književnosti
|
| 999 |
|
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|c 152408
|d 152408
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