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|a 791.43
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|a Hutcheon, Linda
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2 |
|a A theory of adaptation /
|c Linda Hutcheon.
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|a New York ;
|a London :
|b Routledge,
|c 2006.
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| 300 |
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|a xviii, 232 str. ;
|c 24 cm
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|a Str. 179-202: Bibliografija
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|a Kazalo
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|a Preface
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|a Acknowledgments
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|a Chapter 1 Beginning to theorize adaptation: What? Who? Shy? How? Where? When? : Familiarity and contempt -- Treating adaptations 'as adaptations' -- Exactly what gets adapted? How? -- double vision: Defining adaptation (Adaptation as product: announced, extensive, specific transcoding -- Adaptation as process) -- Modes of engagement -- Framing adaptation
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8 |
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|a Chapter 2 What? (forms) : Medium specificity revisited -- Telling - Showing -- Showing - Showing -- Interacting - Telling or showing -- Cliché #1 -- Cliché "2 -- Cliché #3 -- Cliché #4 -- Learning from practice
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8 |
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|a Chapter 3 Who? Why? (Adapters) : Who is the adapter? -- Why adapt? (The economic lures -- The legal constraints -- Cultural capital -- Personal and political motives) -- Learning from practice -- Intentionality in adaptations
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8 |
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|a Chapter 4 How? (audiences) : The pleasure of adaptation -- Knowing and unknowing audiences -- Modes of engagement revisited -- Kinds and degrees of immersion
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8 |
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|a Chapter 5 Where? When? (contexts) : The vastness of context -- Transcultural adaptation -- Indigenization -- Learning from practice (Why Carmen? -- The Carmen story - and stereotype -- Indigenizing Carmen)
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|a Chapter 6 Final questions : What is not an adaptation? -- What is the appeal of adaptations?
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|a References
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8 |
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|a Index
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| 653 |
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|a književnost -- adaptacije
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| 653 |
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|a glazba i književnost
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| 653 |
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|a filmske adaptacije književnih djela
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| 653 |
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|a opera
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| 942 |
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|b LIB
|c KNJ
|d KOM | 82.0 | HUT | TH
|h EC01
|i HUT TH
|6 EC01_HUT_TH
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|a komIII-2964
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|a KK
|b ZV
|c 20061110
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|a poslijediplomski studij književnosti
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|c 152451
|d 152451
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