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|a 0809321963
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|a HR-ZaFF komL8633
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|b hrv
|c HR-ZaFF
|e ppiak
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|a 791.43.01:159.9
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| 080 |
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|a 159.9
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| 100 |
1 |
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|a Anderson, Joseph D.
|
| 245 |
1 |
4 |
|a The reality of illusion :
|b an ecological approach to cognitive film theory /
|c Joseph D. Anderson.
|
| 260 |
|
|
|a Carbondale :
|b Southern Illinois University Press,
|c cop. 1996.
|
| 300 |
|
|
|a xiv, 200 str. :
|b ilustr. ;
|c 22 cm
|
| 504 |
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|a Str. 183-195: Bibliografija
|
| 504 |
|
|
|a Kazalo
|
| 505 |
8 |
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|a 1. Introduction
|
| 505 |
8 |
|
|a 2. Toward an ecology of cinema: An evolutionary perspective -- The visual system -- The auditory system -- Illusion and computation
|
| 505 |
8 |
|
|a 3. Capacities and strategies: Capacities -- Resolution of ambiguity -- Categorization -- Summary
|
| 505 |
8 |
|
|a 4. Some problems reconsidered: Flicker and motion perception -- Motion and form -- Depth -- Color
|
| 505 |
8 |
|
|a 5. Sound and image: Synchrony -- Sound effects -- Music -- Summary
|
| 505 |
8 |
|
|a 6. Continuity: Shot-to-shot transitions -- Orientational relationships -- HIerarchical spatial comprehension
|
| 505 |
8 |
|
|a 7. Diegesis: Visual orientation -- The capacity to play -- Play as cognitive practice -- The desire to play -- The capacity to frame -- Summary
|
| 505 |
8 |
|
|a 8. Character: Recognition -- Attribution -- Identification
|
| 505 |
8 |
|
|a 9. Narrative: Origins of narrative -- Personalizing information -- The organization of a story -- The teller of the story -- What one takes away -- Summary
|
| 505 |
8 |
|
|a 10. Conclusion
|
| 653 |
|
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|a filmska publika -- psihologija
|
| 653 |
|
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|a film -- psihološko gledište
|
| 653 |
|
|
|a filmska umjetnost
|
| 942 |
|
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|b LIB
|c KNJ
|d KOM | 791.43 | ANDE | R
|h EC16
|i ANDE R
|6 EC16_ANDE_R
|
| 991 |
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|a komIII-3202
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| 992 |
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|a KK
|b ZV
|c 20070108
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| 993 |
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|a doktorski studij književnosti
|
