Engaging the moving image
| Permalink: | http://skupni.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:152623/TOC |
|---|---|
| Glavni autor: | Carroll, Noël (-) |
| Vrsta građe: | Knjiga |
| Jezik: | eng |
| Impresum: |
New Haven :
Yale University Press,
cop. 2003.
|
| Nakladnička cjelina: |
Yale series in the philosophy and theory of art
|
| Predmet: |
Sadržaj:
- Foreword by George Wilson, ix
- Introduction, xxi
- 1 Forget the Medium! 1
- 2 Film, Attention, and Communication: A Naturalistic Account, 10
- 3 Film, Emotion, and Genre, 59
- 4 Ethnicity, Race, and Monstrosity: The Rhetorics of Horror and Humor, 88
- 5 Is the Medium a (Moral) Message? 108
- 6 Film Form: An Argument for a Functional Theory of Style in the Individual Film, 127
- 7 Introducing Film Evaluation, 147
- 8 Nonfiction Film and Postmodernist Skepticism, 165
- 9 Fiction, Nonfiction, and the Film of Presumptive Assertion: Conceptual Analyses, 193
- 10 Photographic Traces and Documentary Films: Comments for Gregory Currie, 225
- 11 Toward a Definition of Moving-Picture Dance, 234
- 12 The Essence of Cinema? 255
- 13 TV and Film: A Philosophical Perspective, 265
- 14 Kracauer's Theory ofFilm, 228
- 15 Cinematic Nation Building: Eisenstein's The Old and theNew, 303
- 16 The Professional Western: South of the Border, 323
- 17 Moving and Moving: From Minimalism to Lives of Performers, 345
- 18 Prospects for Film Theory: A Personal Assessment, 357