Theorizing the moving image
| Permalink: | http://skupni.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:153063/TOC |
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| Glavni autor: | Carroll, Noël (-) |
| Vrsta građe: | Knjiga |
| Jezik: | eng |
| Impresum: |
Cambridge ; New York :
Cambridge University Press,
1996.
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| Nakladnička cjelina: |
Cambridge studies in film
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| Predmet: |
Sadržaj:
- Part I. Questioning Media: 1. Medium specificity arguments and the self-consciously invented arts
- 2. The specificity of media in the arts
- 3. Concerning uniqueness claims for photographic and cinematographic representation
- 4. Defining the moving image
- Part II. Popular Film and TV: 5. The power of movies
- 6. Toward a theory of film suspense
- 7. As the dial turns: notes on soap operas
- 8. Toward a theory of point of view editing
- 9. Notes on movie music
- 10. Notes on the sight gag
- Part III. Avant-garde and Documentary Film: 11. Avant-garde film and film theory
- 12. Causation, the amplification of movement and the avant-garde film
- 13. Language and cinema: preliminary notes for a theory of verbal images
- 14. A note on film metaphor
- 15. From real to reel: entangled in non-fiction film
- 16. Reply to Carol Browson and Jack C. Wolf
- Part IV. Ideology: 17. The image of women in film: a defense of a paradigm
- 18. Film, rhetoric and ideology
- Part V. The History of Film Theory: 19. Film/mind analogies: the case of Hugo Munsterberg
- 20. Hans Richter's Struggle for Film
- 21. A brief note on Frampton's notion of metahistory
- Part VI. Polemical Exchanges: 22. Cognitivism, contemporary film theory and method
- 23. Cracks in the acoustic mirror
- 24. A reply to Heath
- 25. Replies to Jennifer Hammett and Richard Allen
- Part VII. False Starts: 26. Film history and film theory , 27. Art, film and ideology
- 28. Toward a theory of film editing