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|c 153116
|d 153116
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|a 0822313820
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|a HR-ZaFF komL9222
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|a HR-ZaFF
|b hrv
|c HR-ZaFF
|e ppiak
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| 080 |
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|a 347.78(082)
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| 245 |
0 |
4 |
|a The Construction of authorship :
|b textual appropriation in law and literature /
|c Martha Woodmansee and Peter Jaszi, editors.
|
| 260 |
|
|
|a Durham ;
|a London :
|b Duke University Press,
|c 1994.
|
| 300 |
|
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|a 462 str. ;
|c 24 cm
|
| 440 |
|
0 |
|a Post-contemporary interventions
|
| 500 |
|
|
|a 4MUVF
|
| 500 |
|
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|a Zastupljeni autori: Woodmansee, Martha ; Jaszi, Peter ; Swan, Jim ; Coombe, Rosemary J. ; Pfau, Thomas ; Yen, Alfred C. ; Lindenbaum, Peter ; Feather, John ; Rose, Mark ; Ross, Marlon B. ; Joseph, Gerhard ; Feltes, N.N. ; Grazia, Margareta de ; Steeter, Thomas ; D'Lugo, Marvin ; Sanjek, David ; Masten, Jeffrey A. ; Gere, Anne Ruggles ; Thomas, Max W. ; Lunsford, Andrea A. ; Pollack, Malla
|
| 653 |
|
|
|a autorsko pravo
|
| 653 |
|
|
|a plagijarizam
|
| 700 |
1 |
|
|a Woodmansee, Martha
|4 edt
|4 ctb
|t On the author effect: Recovering collectivity
|
| 700 |
1 |
|
|a Jaszi, Peter
|4 edt
|t On the author effect: Contemporary copyright and collective creativity
|
| 700 |
1 |
|
|a Swan, Jim
|4 ctb
|t Touching world: Helen Keller, plagiarism, authorship
|
| 700 |
1 |
|
|a Coombe, Rosemary J.
|4 ctb
|t Author/izing the celebrity: Publicity rights, postmodern politics, and unautrhorized genders
|
| 700 |
1 |
|
|a Pfau, Thomas
|4 ctb
|t The pragmatics of genre: Moral theory and lyric authorship in Hegel and Wordsworth
|
| 700 |
1 |
|
|a Yen, Alfred C.
|4 ctb
|t The interdisciplinary future of copyright theory
|
| 700 |
1 |
|
|a Lindenbaum, Peter
|4 ctb
|t Milton's contract
|
| 700 |
1 |
|
|a Feather, John
|4 ctb
|t From rights in copies to copyright: The recognition of authors' rights in English law and practice in the sexteenth and seventeenth centuries
|
| 700 |
1 |
|
|a Rose, Mark
|4 ctb
|t The author in court: Pope v. Curll (1741)
|
| 700 |
1 |
|
|a Ross, Marlon B.
|4 ctb
|t Authority and authenticity: Scribbling authors and the genius of print in eighteenth-century England
|
| 700 |
1 |
|
|a Joseph, Gerhard
|4 ctb
|t Charles Dickens, international copyright, and the discretionary silence of Martin Chuzzlewit
|
| 700 |
1 |
|
|a Feltes, N. N.
|4 ctb
|t International copyright: Structuring "the condition of modernity" in British publishing
|
| 700 |
1 |
|
|a De Grazia, Margareta
|4 ctb
|t Sanctioning voice: Quotation marks, the abolition of torture, and the fifth amendment
|
| 700 |
1 |
|
|a Streeter, Thomas
|4 ctb
|t Broadcast copyright and the bureaucratization of property
|
| 700 |
1 |
|
|a D'Lugo, Marvin
|4 ctb
|t Autorship and the concept of national cinema in Spain
|
| 700 |
1 |
|
|a Sanjek, David
|4 ctb
|t "Don't have to DJ no more": Sampling and the "autonomous" creator
|
| 700 |
1 |
|
|a Masten, Jeffrey A.
|4 ctb
|t Beaumont and/or Fletcher: Collaboration and the interpretation of Renaissance drama
|
| 700 |
1 |
|
|a Gere, Anne Ruggles
|4 ctb
|t Common properties of pleasure: texts in nineteenth century woomen's clubs
|
| 700 |
1 |
|
|a Thomas, Max W.
|4 ctb
|t Reading and writing the Renaissance commonplace book: A question of autorship?
|
| 700 |
1 |
|
|a Lunsford, Andrea A.
|4 ctb
|t Collaborative autorship and the teaching of writing
|
| 700 |
1 |
|
|a Ede, Lisa
|4 ctb
|
| 700 |
1 |
|
|a Price, Monroe E.
|4 ctb
|t The author in copyright: Notes for the literary critic
|
| 700 |
1 |
|
|a Pollack, Malla
|4 ctb
|
| 942 |
|
|
|b LIB
|c KNJ
|d KOM | 347.78 | CON
|h EC02.1
|i CON
|6 EC021_CON
|
| 991 |
|
|
|a kom08/205
|
| 991 |
|
|
|a kom08/305
|
| 991 |
|
|
|a kom08/306
|
| 991 |
|
|
|a kom08/307
|
| 991 |
|
|
|a kom08/308
|
| 991 |
|
|
|a komIII-3737
|
| 992 |
|
|
|a KK
|b ZV
|c 20080318
|
| 993 |
|
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|a jedan primjerak za doktorkski studij književnosti
|
