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080428s2007 |||a |||||||||| ||eng|d |
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|a 9780472068869
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| 035 |
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|a HR-ZaFF komL9262
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|a HR-ZaFF
|b hrv
|c HR-ZaFF
|e ppiak
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|a 792:1
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| 080 |
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|a 1
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| 245 |
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|a Critical theory and performance /
|c edited by Janelle G. Reinelt and Joseph R. Roach.
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| 250 |
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|a Rev. and enl. ed..
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| 260 |
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|a Ann Arbor :
|b University of Michigan Press,
|c cop. 2007.
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| 300 |
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|a xii, 596 str. :
|b ilustr. ;
|c 25 cm
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| 440 |
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0 |
|a Theater--theory/text/performance
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| 500 |
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|a Zastupljeni autori: Carlson, Marvin ; States, Bert O. ; Carmody, Jim ; Feral, Josette ; Tompkins, Joanne ; Richards, Sandra L. ; Zarrillli, Phillip B. ; Lane, Jill ; Lei, Daphne ; Elam, Harry J. ; Postlewait, Thomas ; Bank, Rosemarie K. ; Foster, Susan Leigh ; Savran, David ; McConachie, Bruce ; Rouse, John ; Donkin, Ellen ; Dolan, Jill ; Davy, Kate ; Román, David ; Diamond, Elin ; Pellegrini, Ann ; Phelan, Peggy ; Schechner, Richard ; Conquergood, Dwight ; Chaudhuri, Una ; Auslander, Philip ; Blau, Herbert ; Case, Sue-Ellen
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| 504 |
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|a Bibliografija uz pojedine radove
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| 505 |
8 |
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|a Preface to the Second Edition -- Introduction to the First Edition
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| 505 |
8 |
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|a Performance Analysis
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| 505 |
8 |
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|a Marvin Carlson, Semiotics and Its Heritage -- Bert O. States,
The Phenomenological Attitude -- Jim Carmody, Alceste in Holywood A Semiotic Reading of The Misanthrope -- Josette Feral,
Every Transaction Conjures a New Boundary
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| 505 |
8 |
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|a Postcolonial Studies
|
| 505 |
8 |
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|a Joanne Tompkins, Performing History's Unsettlement -- Sandra L Richards,
What Is to Be Remembered?: Tourism to Ghanas Slave
Castle-Dungeons -- Phillip B Zarrilli, For Whom Is the King a King? Issues of Intercultural Production, Perception, and Reception in a
Kathakali King Lear
|
| 505 |
8 |
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|a Critical Race Theory
|
| 505 |
8 |
|
|a Jill Lane, Black/face Publics: The Social Bodies of Fraternidad -- Daphne Lei,
Virtual Chinatown and New Racial Formation: Performance
of Cantonese Opera in the Bay Aea -- Harry Elam, Jr,
Reality v/
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| 505 |
8 |
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|a Theater History and Historiography
|
| 505 |
8 |
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|a Thomas Postlewait, Theater Events and Their Political Contexts: A Problem in the Writing of Theater History -- Rosemarie K Bank, Representing History: Performing the Columbian Exposition -- Susan Leigh Foster,
Kinesthetic Empathies and the Politics of Compassion
|
| 505 |
8 |
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|a After Marx
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| 505 |
8 |
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|a David Savran, Shadows of Brecht -- Brace McConachie, Historicizng the Relations of Theatrical Production -- John Rouse,
Brecht and the Contradictory Actor
|
| 505 |
8 |
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|a Gender and Sexualities
|
| 505 |
8 |
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|a Ellen Donkin, Mrs. Siddons Looks Back in Anger Feminist Historiography
for Eighteenth-Century British Theater -- Fill Dolan, Practicing Cultural Disruptions Gay and Lesbian "Representation and Sexuality -- Kate Davy,
Fe/male Impersonation: The Discourse of Camp -- David Roman, Not-About-AIDS
|
| 505 |
8 |
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|a Psychoanalysis
|
| 505 |
8 |
|
|a Elin Diamond, The Violence of "We": Politicizing Identification -- Ann Pelh'grini, Staging Sexual Inury: H ow I Learned to Drive -- Peggy Phelan,
Imobile Legs, Stalled Words: Psychoanalysis and Moving Deaths
|
| 505 |
8 |
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|a Performance Studies
|
| 505 |
8 |
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|a Ricihard Schechner, Invasions Friendly and Unfriendly: The Dramaturgy of
Direct Theater -- Dwight Conquergood, Performance Theory, Hmong Shamans, and Cultural Politics -- Una Chaudhuri, Animal Rites: Perorming beyond the Human
|
| 505 |
8 |
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|a Mediatized Cultures
|
| 505 |
8 |
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|a Philip Auslander, Live from Cyberspace, or, I Was Sitting at My Computer This Guy Appeared He Thought I Was a Bot -- Herbert Blau, Virtually Yours: Presence, Liveness, Lessness -- Sue-Ellien Case, Draculas Daugh
|
| 653 |
|
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|a kazalište -- filozofija
|
| 653 |
|
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|a filozofija kazališta
|
| 700 |
0 |
|
|a Reinelt, Janelle G.
|
| 700 |
0 |
|
|a Roach, Joseph R.
|
| 942 |
|
|
|b LIB
|c KNJ
|d KOM | 792(08) | CRIT
|h EC15
|i CRIT
|6 EC15_CRIT
|
| 991 |
|
|
|a komIII-3745
|
| 991 |
|
|
|a komIII-3808
|
| 992 |
|
|
|a KK
|b ZV
|c 20080428
|
| 993 |
|
|
|a doktorski studij književnosti
|
| 999 |
|
|
|c 153162
|d 153162
|
