|
|
|
|
| LEADER |
02654nam a2200505ui 4500 |
| 003 |
HR-ZaFF |
| 008 |
080428s2006 ||| |||||||||| ||eng|d |
| 020 |
|
|
|a 0472069500
|
| 035 |
|
|
|a HR-ZaFF komL9263
|
| 040 |
|
|
|a HR-ZaFF
|b hrv
|c HR-ZaFF
|e ppiak
|
| 080 |
|
|
|a 793:1 * 792:1
|
| 080 |
|
|
|a 1
|
| 080 |
|
|
|a 792
|
| 245 |
0 |
0 |
|a Staging philosophy :
|b intersections of theater, performance, and philosophy /
|c edited by David Krasner and David Z. Saltz.
|
| 260 |
|
|
|a Ann Arbor :
|b University of Michigan Press,
|c dcop. 2006.
|
| 300 |
|
|
|a 334 str. ;
|c 23 cm
|
| 440 |
|
0 |
|a Theater--theory/text/performance
|
| 500 |
|
|
|a Zastupljeni autori: Walker, Julia A. ; Puchner, MArtin ; Nellhaus, Tobin ; Auslander, Philip ; Carroll, Noel ; Jaeger, Suzanne M. ; Crease, Robert P. ; Lutterbie, John ; Erickson, Jon ; Rayner, Alice ; Saltz, David Z. ; Hamilton, james T. ; Nanay, Bence ; Sell, Mike ; Quinn, Michael L.
|
| 505 |
8 |
|
|a David Krasner and David Z. Saltz, Introduction
|
| 505 |
8 |
|
|a Part I: History and Method
|
| 505 |
8 |
|
|a 1 Julia A. Walker, The Text/Performance Split across the Analytic/Continental Divide
|
| 505 |
8 |
|
|a 2 Martin Puchner, Kenneth Burke: Theater, Philosophy, and the Limits of Performance
|
| 505 |
8 |
|
|a 3 Tobin Nellhaus, Critical Realism and Performance Strategies
Part II: Presence
|
| 505 |
8 |
|
|a 4 Philip Auslander, Humanoid Boogie: Reflections on Robotic Performance
|
| 505 |
8 |
|
|a 5 Noel Carroll, Philosophy and Drama: Performance, Interpretation, and Intentionality
|
| 505 |
8 |
|
|a 6 Suzanne M. Jaeger, Embodiment and Presence: The Ontology of Presence Reconsidered
|
| 505 |
8 |
|
|a 7 Jon Erickson, Presence
|
| 505 |
8 |
|
|a 8 Robert P. Crease and John Lutterbie, Technique
|
| 505 |
8 |
|
|a 9 Alice Rayner, Presenting Objects, Presenting Things
|
| 505 |
8 |
|
|a Part III: Reception
|
| 505 |
8 |
|
|a 10 David Z. Saltz, Infiction and Outfiction: The Role of Fiction in Theatrical Performance
|
| 505 |
8 |
|
|a 11 James R. Hamilton, Understanding Plays
|
| 505 |
8 |
|
|a 12 Bence Nanay, Perception, Action, and Identification in the Theater
|
| 505 |
8 |
|
|a 13 David Krasner, Empathy and Theater
|
| 505 |
8 |
|
|a 14 Mike Sell, The Voice of Blackness: The Black Arts Movement and Logocentrism
|
| 505 |
8 |
|
|a 15 Michael L. Quinn, Theatricality, Convention, and the Principle of Charity
|
| 653 |
|
|
|a izvedbene umjetnosti -- sociološko gledište
|
| 653 |
|
|
|a izvedbene umjetnosti -- filozofija
|
| 700 |
0 |
|
|a Krasner, David
|
| 700 |
0 |
|
|a Saltz, David Z.
|
| 942 |
|
|
|b LIB
|c KNJ
|d KOM | 792(08) | STAG
|h EC15
|i STAG
|6 EC15_STAG
|
| 991 |
|
|
|a komIII-3746
|
| 992 |
|
|
|a KK
|b ZV
|c 20080428
|
| 993 |
|
|
|a doktorski studij književnosti
|
| 999 |
|
|
|c 153163
|d 153163
|
