Avant-garde performance
| Permalink: | http://skupni.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:229144/TOC |
|---|---|
| Glavni autor: | Berghaus, Günter (-) |
| Vrsta građe: | Knjiga |
| Jezik: | eng |
| Impresum: |
New York :
Palgrave,
cop. 2005.
|
| Predmet: |
Sadržaj:
- 1. The genesis of modernity and of the Avant-garde: The evolution of modernity
- 'Modern' as an aesthetic term and period designation
- The crisis of modernity ant the advent of Modernism
- Avant-garde, Modernism and the mainstream
- 2. Towards an Avant-garde performance practice, 1896-1919: Alfred Jarry, Ubu roi
- Oskar Kokoscha, Murderer hope of women
- The futurist Serate
- The Dada soirées in Zurich
- The influence of the historical Avant-garde on mainstream theatre
- 3. From Late-Modernism to Postmodernism: The emergence of a post-industrial information society
- From mechanical to electronic culture
- The formation of a postmodern identity
- Postwar art in Europe and the USA
- Postmodernism and the end of the Avant-garde
- 4. Happening and Fluxus: Allan Kaprow and early happenings in the USA
- The New Realism in France, Germany and Italy
- Wolf Vostell and Jean-Jacques Lebel
- Action art in Japan: the Gutai group, Neo-Dada organizers and Hi red center
- George Maciunas and the birth of Fluxus
- Nam June Paik and Charlotte Moorman
- Conceptual performances of Robert Filliou and Ben Vautier
- 5. Body art, ritualism and neo-shamanic performances: Corporeal identities in a postmodern age
- Carolee Schneemann
- Vito Acconci
- Viennese actionism
- Joseph Beuys
- Gina Pane
- Marina Abramović
- 6. Video and multi-media performance: From video art to video performance
- Vito Acconci's video Works
- Nam June Paik
- Joan Jonas
- Valie Export
- Laurie Anderson
- Video dance and cyberdance
- 7. Performances in cyberspace: From electronic to digital culture: the emergence of a second modernity?
- Interactive cyberart as a performative medium
- The virtual body in cyberspace
- Virtual reality: form video games to immersive environments
- Stelarc and virtual performances of the post-human age
- Epilogue: the future of the Avant-garde