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  • CONTENTS CONTRIBUTORS ACKNOWLEDGEMENTS INTRODUCTION Henry Bial Part I What is Performance Studies? 1 - PERFORMANCE STUDIES: THE BROAD SPECTRUM APPROACH Richard Schechner 2 - DISCIPLINES OF THE TEXT / SITES OF PERFORMANCE W.B. Worthen 3 - THE LIMINAL NORM Jon McKenzie 4 - PROFESSING PERFORMANCES: DISCIPLINARY GENEALOGIES Shannon Jackson 5 - PERFORMANCE STUDIES Barbara Kirshenblatt-Gimblett 6 PERFORMANCE STUDIES IN AN AGE OF TERROR John Bell Part II What is Performance? 7 ¿ PERFORMANCES: BELIEF IN THE PART ONE IS PLAYING Erving Goffman 8 - BLURRED GENRES: THE REFIGURATION OF SOCIAL THOUGHT Clifford Geertz 9 - WHAT IS PERFORMANCE? Marvin Carlson 10 - LIFE THE MOVIE Neal Gabler 11 - MARINA ABRAMOVIC: WITNESSING SHADOWS Peggy Phelan Part III Ritual 12 - LIMINALITY AND COMMUNITAS Victor Turner 13 ¿ ¿PERFORMANCE¿ AND OTHER ANALOGIES Catherine Bell 14 - ¿THE BLOOD THAT RUNS THROUGH THE VEINS¿: THE CREATION OF IDENTITY AND A CLIENT¿S EXPERIENCE OF CUBAN-AMERICAN SANTERÍA DILOGÚN DIVINATION Michael Atwood Mason 15 - SAINT ORLAN:RITUAL AS VIOLENT SPECTACLE AND CULTURAL CRITICISM Alyda Faber 16 - PERFORMATIVE COMMEMORATIVES, THE PERSONAL, AND THE PUBLIC: SPONTANEOUS SHRINES, EMERGENT RITUAL Jack Santino Part IV Play 17 - THE NATURE AND SIGNIFICANCE OF PLAY AS A CULTURAL PHENOMENON Johan Huizinga 18 - A THEORY OF PLAY AND FANTASY Gregory Bateson 19 - THE AMBIGUITY OF PLAY Brian Sutton-Smith 20 - JUST DOING Allan Kaprow 21 - FALLING APART TO STAY TOGETHER: DEEP PLAY IN THE GRAND MARAIS MARDI GRAS. Barry Jean Ancelet Part V Performativity 22 - HOW TO DO THINGS WITH WORDS: LECTURE II J.L. Austin 23 ¿ Excerpt from SIGNATURE EVENT CONTEXT Jacques Derrida 24 - PERFORMATIVE ACTS AND GENDER CONSTITUTION Judith Butler 25 - INTRODUCTION TO PERFORMATIVITY AND PERFORMANCE Andrew Parker and Eve Kosofsky Sedgwick 26 - THATRE AND ANTHROPOLOGY, THEATRICALITY AND CULTURE Johannes Fabian Part VI Performing 27 - A DIALOGUE ABOUT ACTING Bertolt Brecht 28 - THE ACTOR¿S TECHNIQUE Jerzy Grotowski 29 - A DREAM OF PASSION Lee Strasberg 30 - PRESENTING AND RE-PRESENTING THE SELF: FROM NOT-ACTING TO ACTING IN AFRICAN PERFORMANCE Frances Harding 31 - RECONSIDERING STANISLAVSKY: FEELING, FEMINISM, AND THE ACTOR Rhonda Blair Part VII Performance Processes 32 - FIRST ATTEMPTS AT A STYLIZED THEATRE Vsevolod Meyerhold 33 - THE ORAL ARTIST: TRAINING AND PREPARATION Isidore Okpewho 34 - THE PERFORMANCE TEXT Marco De Marinis 35 - THE DEEP ORDER CALLED TURBULENCE: THE THREE FACES OF DRAMATURGY Eugenio Barba 36 - THE ARCHAEOLOGY OF PERFORMANCE Mary Zimmerman Part VIII Global and Intercultural Performances 37 - PERFORMING ETHNOGRAPHY Victor Turner with Edie Turner 38 - OF MIMICRY AND MAN Homi K. Bhabha 39. CULTURAS-IN-EXTREMIS: PERFORMING AGAINST THE CULTURAL BACKDROP OF THE MAINSTREAM BIZARRE Guillermo Gómez-Peña 40 - REVEREND BILLY: PREACHING PROTEST AND POST-INDUSTRIAL FLÂNERIE Jill Lane 41 - PERFORMANCE STUDIES: INTERVENTIONS AND RADICAL RESEARCH Dwight Conquergood 42 - TRANSLATING PERFORMANCE Diana Taylor