Theatre arts on acting
| Permalink: | http://skupni.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:245072/TOC |
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| Ostali autori: | Senelick, Laurence (Editor) |
| Vrsta građe: | Knjiga |
| Jezik: | eng |
| Impresum: |
London ; New York :
Routledge,
2008.
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| Nakladnička cjelina: |
Routledge theatre classics
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| Predmet: | |
| Online pristup: |
Table of contents only |
Sadržaj:
- Introduction Acting in the American Tradition Acting and the New Stagecraft, by Walter Pritchard Eaton (Nov.1916) The Place of the Actor in the New Movement, by Claude King (July 1922) Billets doux, by Stark Young (Oct. 1929) Paul Muni: a Profile and a Self-Portrait, by Morton Eustis (Mar. 1940) Margaret Sullavan, by John Van Druten (May 1944) Comedienne from Radcliffe: Josephine Hull, by William Lindsay Gresham (June 1945) Laurette Taylor, by Norris Houghton (Dec. 1945) Seven Interviews in Search of Good Acting Off-Broadway, by Aimee Scheff (Mar. 1952) That Wonderful Deep Silence, by Shelley Winters (June 1956) Shakespeare and the American Actor, by John Houseman (July 1956) Geraldine Page, the Irony of a Legend, by Joseph Carroll (Apr. 1953) Jason Robards, Jr., by John Keating (Apr. 1960) George C. Scott, by Jack Balch (June 1960) Maureen Stapleton, by Gilbert Millstein (July 1960) Dear Diary, by Hume Cronyn (July 1961) Julie Harris, by John Keating (Jan. 1962) The British Legacy A Crux in English Acting, by Alastair Cooke (Sept. 1932) Acting in My Time, by St. John Irvine (Aug. 1935) An Artist's Apprenticeship, by John Gielgud (June-July, 1937) The Gielgud Macbeth, by Ashley Dukes (Oct. 1942) John Gielgud, by Alan Dent (Feb. 1947) The Actor as Biographer: Wilfred Lawson, by Rosamund Gilder (Dec. 1937) Gertrude Lawrence, by Theodore Strauss (May 1942) The Oliviers, by Sewell Stokes (Dec. 1945) Sir Laurence and Larry, by Alan Pryce-Jones (Feb. 1961) Shaw and the Actor: Rex Harrison and Siobhán McKenna on Their Roles (Mar. 1957) An Actor Stakes His Claim, by Cedric Hardwicke (Feb. 1958) Albert Finney, by Audrey Williamson (Oct. 1963) Foreign Modes of Performance How Reinhardt Works with His Actors, by Gertrud Eysoldt (Oct. 1921) The Month of Duse (excerpts), by Kenneth Macgowan (Jan. 1924) Eleonora Duse, by F. Bruno Averardi (Sept. 1931) Giovanni Grasso, by Stark Young (Jan. 1922) Mei Lan Fang, by Stark Young (Apr. 1930) The Acting of the Abbey Theatre, by Andrew J. Stewart (Mar. 1933) The Actor and the Revolution, by Pavel Markov (Sept. 1936) Child of Silence, by Jean-Louis Barrault (Oct. 1949) Louis Jouvet, the Triumph of Deceit, by Monroe Stearns (Jan. 1953) On Helene Weigel, by Bertolt Brecht (June 1962) Lotte Lenya, by David Beams (June 1962) Stanislavsky and His Followers Stanislavsky's Speech to His Players (Jan. 1923) Perspective on Character Building, by Konstantin Stanislavsky (July 1949) Fundamentals of Acting, by Richard Boleslawski (Feb. 1927) An Actor Prepares: a Comment on Stanislavski's Method, by John Gielgud (Jan. 1937) An Actor Prepares: Comments on Stanislavski's Methods, by Robert Sherwood, Harold Clurman and Norris Houghton (Feb. 1937) The Group Theatre in Its Tenth Year, by John Gassner (Oct. 1940) The Actor's Lab, by Dwight Thomas and Mary Guion Griepenskerl (Feb. 1947) Past Performance, by Lee Strasberg (May 1950) An Actor Must Have 3 Selves, by Michael Chekhov (Dec. 1952) A Study of Actors Studio, by Maurice Zolotow (Aug.-Sept. 1956) A Point of View and a Place to Practice, by Robert Lewis (Apr. 1960) Wanted: More Stars, Less Method, by Sherman Ewing (Jan. 1961) The Actor and His Role The Actor Attacks His Part: Lynne Fontanne and Alfred Lunt (Nov. 1936) A Play in the Making: The Lunts Rehearse Amphritryon 38, by Morton Eustis (Dec. 1937) The Actor Attacks His Part: Katherine Cornell (Feb. 1937) The Actor Attacks His Part: Burgess Meredith (Mar. 1937) The Dancing Actor Attacks His Part: Fred Astaire (June 1937) The Singing Actress Attacks Her Part: Lotte Lehman (Apr. 1937) Great Roles Reborn: Bette Davis Tells How Regina, the Old Maid and Miss Moffatt Came to the Screen, by Roman Bonen (Mar. 1947) Technical Matters The Voice in the Theatre, by Stark Young (Oct. 1921) Illusion in Acting, by Stark Young (Feb. 1924) The Lazy Actor, by John Shand (Feb. 1928) Type-casting the 8th Deadly Sin, by Edith Isaacs (Feb. 1933) The Moribund Craft of Acting, by Cedric Hardwicke (Feb. 1939) Speak the Speech, I Pray You, by John Gielgud (Apr. 1951) A New Technique of Acting, by Bertolt Brecht (Jan. 1949) Notes on Film Acting, by Hume Cronyn (June 1949) The Actor as Thinker, by Eric Bentley (Apr. 1950) GLOSSARY OF PROPER NAMES