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008 100217s2009 bu |||||||||| ||eng|d
020 |a 9789540728278 
040 |a HR-ZaFF   |b hrv  |c HR-ZaFF   |e ppiak 
080 |a 792.02 
245 0 0 |a Theatre and humanism in a world of violence :  |b [The book of the XXIV Congress of the International association of theatre critics. Sofia, Bulgaria, April 2008] /  |c edited by Ian Herbert and Kalina Stefanova. 
260 |a Sofia :  |b St. Kliment Ohridski University Press,  |c 2009. 
300 |a 287 str. ;  |c 24 cm 
504 |a Bibliografija i bilješke uz pojedine radove 
653 |a kazalište i nasilje 
653 |a kazalište 
653 |a nasilje 
700 1 |4 edt  |4 ctb  |a Herbert, Ian 
700 1 |4 edt  |4 ctb  |a Stefanova, Kalina  |t The time is out of joint : Are critics born 'to set it right'? 
700 1 |4 ctb  |a Danailov, Stefan  |t Humanism is no utopia 
700 1 |4 ctb  |a Herbert, Ian  |t Whose violence? 
700 1 |4 ctb  |a Kim, Yun-Cheol  |t The theatre of ugly : uses of stage violence in the post-dramatic era 
700 1 |4 ctb  |a Linnavuori, Matti  |t The entertainment value of suffering 
700 1 |4 ctb  |a Nikčević, Sanja  |t How to impose violence as a trend? 
700 1 |4 ctb  |a Stefanova, Aglika  |t Violence in contemporary theatre : rhetorical and ethical effects 
700 1 |4 ctb  |a Medenica, Ivan  |t On theatrical age of slowness : a possible humanistic alternative to the 'velociferian' civilization 
700 1 |4 ctb  |a Edgar, David  |t From blood and spunk to chairs and stools: British New writing in the nineties and noughts 
700 1 |4 ctb  |a Vais, Michel  |t Theatre, violence, and criticism: putting the citizen first 
700 1 |4 ctb  |a Lee, Chin A.  |t The meaning of violence in the Korean theatre world 
700 1 |4 ctb  |a Celi, Carmelita  |t Titus Andronicus : non docet 
700 1 |4 ctb  |a Stanciu, Carmen  |t Collateral victims 
700 1 |4 ctb  |a Ghirlando, Louise  |t Violent truth : justirying the representation of ethnic tension emerging form social rupture 
700 1 |4 ctb  |a Bartolomeu Costa, Tiago  |t Are we here only for the sake of the art? 
700 1 |4 ctb  |a Mladenova, Margarita  |t On the Prodigal son and his homecoming 
700 1 |4 ctb  |a Banu, Georges  |t Bad language : a realistic effect? 
700 1 |4 ctb  |a Tachiki, Akiko  |t In pursuit of tolerance: the contemporary significance of the Orestia trilogy 
700 1 |4 ctb  |a Hosseinzadeh Salmasi, Katayoun  |t Violent theatre in a violent society 
700 1 |4 ctb  |a Meersman, Brent  |t Cultural weapons 
700 1 |4 ctb  |a Gener, Randy  |t On US stages, Israeli and American artists seek to espouse humanism in a world of violence 
700 1 |4 ctb  |a Čakare, Valda  |t representing violence : therapy, entertainment of challenge? 
700 1 |4 ctb  |a Kiselov, Mladen  |t The beauty of resistance 
700 1 |4 ctb  |a Noda, Manabu  |t The politics of stage violence in Japan today 
700 1 |4 ctb  |a Sörenson, Margareta  |t to the memory of Anna Politkovskaya 
700 1 |4 ctb  |a Miłkowski, Tomasz  |t Violence? Nothing special! 
700 1 |4 ctb  |a Punjani, Deepa  |t Narratives of protest, reform and hope : a glimpse into the theatres of Gaddar, Gursharan Singh and H. Kanhailal 
700 1 |4 ctb  |a Tahan, Halima  |t Manifestations of violence on stage 
700 1 |4 ctb  |a Carvalho, Paulo Eduardo  |t Crisis of representation 
700 1 |4 ctb  |a Han, Jean-Pierre  |t The famous Unknown : presenting Jean-Pierre Sarrazac, The Second laureate of the Iatc Thalia Prize 
700 1 |4 ctb  |a Sarrazac, Jean-Pierre  |t Contemplating modern drama : Thalia award acceptance speech 
700 1 |4 ctb  |a Schechner, Richard  |t Five avantgardes... or none? 
942 |c KNJ  |h EC15.1  |i THEAT.H  |6 EC151_THEATH 
999 |c 247203  |d 247202