Sadržaj:
  • The birth of the sixth art (1911) / Ricciotto Canudo
  • The montage of film attractions (1924) / Sergei Eisenstein
  • Provisional instructions to Kino-eye groups (1926) / Dziga Vertov
  • First principals of documentary (1932) / John Grierson
  • Cinema instrument of poetry (1953) / Luis Buñuel
  • An aesthetic of reality: neorealism (extract) (1948) / André Bazin
  • 'Six characters in search of auteurs: discussion about the French cinema' (1957) / André Bazin ... [et al.]
  • 'The Oberhausen Manifesto' (1962)
  • Godard and counter-cinema: Vent d'Est (1962) / Peter Wollen
  • Dogme 95: the vow of chastity (1995)
  • The art cinema as a mode of film practice / David Bordwell
  • Art cinema as institution / Steve Neale
  • The author as public institution: the 'new' cinema in the Federal Republic of Germany / Sheila Johnston
  • The concept of a national cinema / Andrew Higson
  • Identity and the past in recent Russian cinema / David Gillespie
  • DEFA and the traditions of International cinema / Barton Byg
  • Catalan cinema: historical experience and cinematic practice / Marvin D'Lugo
  • 'Temporary American citizens: cultural anxieties and industrial strategies in the Americanisation of European cinema' / Richard Maltby and Ruth Vasey
  • The 'popular' cash and culture in the post-war British cinema industry / Janet Thumin
  • Support mechanisms across Europe / Angus Finney
  • The financial structure of Spanish cinema / Peter Besas
  • From a 'prenational' to a 'postnational' French cinema / Martine Danan.