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070705s2002 xxua b 0|1 0 eng |
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|a 0742508854
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|a DLC
|c DLC
|d DLC
|d HR-ZaFF
|b hrv
|e ppiak
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|a pcc
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| 080 |
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|a 791.43
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| 245 |
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|a Engaging film :
|b geographies of mobility and identity /
|c edited by Tim Cresswell and Deborah Dixon.
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| 260 |
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|a Lanham, Md. ;
|a Oxford :
|b Rowman & Littlefield,
|c cop. 2002.
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| 300 |
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|a vi, 332 str. :
|b ilustr. ;
|c 23 cm
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| 504 |
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|a Bibliografija: str. 297-321
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| 504 |
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|a Kazalo
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| 650 |
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|a Motion pictures.
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| 653 |
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|a film
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| 653 |
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|a Sayles, John
|a Matewan
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| 653 |
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|a Levinson, Barry
|a Avalon
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| 653 |
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|a Beatty, Warren
|a Bulworth
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| 653 |
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|a Anderson, Allison
|a Mi vida loca
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| 653 |
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|a Eyre, Chris
|a Smoke signals
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| 653 |
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|a Cameron, James
|a Terminator 2
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| 653 |
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|a Alexie, Sherman
|a Smoke signals
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| 653 |
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|a Wiene, Robert
|a Kabinet doktora Caligarija
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| 653 |
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|a filmska umjetnost
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| 653 |
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|a Tarantino, Quentin
|a Pakleni šund
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| 653 |
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|a Flaherty, Robert J.
|a Nanook sa sjevera
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| 653 |
|
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|a Jordan, Neil
|a Plačljiva igra
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| 653 |
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|a Carax, Leos
|a Les amants du pont-neuf
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| 700 |
1 |
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|a Cresswell, Tim
|4 edt
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| 700 |
1 |
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|a Dixon, Deborah
|4 edt
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| 700 |
1 |
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|a Crang, Mike
|4 aut
|t Rethinking the observer: film, mobility, and the construction of the subject
|
| 700 |
1 |
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|a Kirsch, Scott
|4 aut
|t Spectacular violence, hypergeography, and the question of alienation in 'Pulp fiction'
|
| 700 |
1 |
|
|a Nicholson, Heather Norris
|4 aut
|t Telling travelers' tales: the world through home movies
|
| 700 |
1 |
|
|a Doel, Marcus A.
|4 aut
|t Lacan: The movie
|
| 700 |
1 |
|
|a Clarke, David B.
|4 aut
|t Lacan: The movie
|
| 700 |
1 |
|
|a Smith, Laurel
|4 aut
|t Chips off the old ice block: Nanok of the north and the relocation of cultural identity
|
| 700 |
1 |
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|a Dahlman, Carl
|4 aut
|t Macsulinity in conflict: geopolitics and performativity in 'The crying game'
|
| 700 |
1 |
|
|a Zoon, Leo
|4 aut
|t Smoke signals: locating Sherman Alexie's narratives of American Indian identity
|
| 700 |
1 |
|
|a Winchell, Dick
|4 aut
|
| 700 |
1 |
|
|a Robbins, Paul
|4 aut
|t Pax Disney: the annotated diary of a film extra in India
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| 700 |
1 |
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|a Schönfeld, Christiane
|4 aut
|t Modern identities in Early German film: The cabinet of Dr. Caligary
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| 700 |
1 |
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|a Strohmeyer, Ulf
|4 aut
|t Practicing Film: the autonomy of images in 'Les amants du pont-neuf'
|
| 700 |
1 |
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|a Gold, John R.
|4 aut
|t The real thing? Contesting the myth of documentary realism throuogh clasroom analysis of fiooms on planning and reconstruction
|
| 700 |
1 |
|
|a Brigham, Ann
|4 aut
|t On location: teaching the Western American urban landscape through Mi vida and Terminator 2
|
| 700 |
1 |
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|a Marston, Sallie A.
|4 aut
|
| 700 |
1 |
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|a Natter, Wolfgang
|4 aut
|t We just gotta eliminate 'em: on whiteness and film in Matewan, Avalon, and Bulworth
|
| 700 |
1 |
|
|a Staddon, Chad
|4 aut
|t Using film as a tool in criticalpedagogy: reflections of the experience of studnets and lecturers
|
| 700 |
1 |
|
|a Taylor, Phil
|4 aut
|
| 700 |
1 |
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|a Beard, Paul
|4 aut
|
| 700 |
1 |
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|a Kendall, Robert
|4 aut
|
| 700 |
1 |
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|a Dunn, Naomi
|4 aut
|
| 700 |
1 |
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|a Curtis, Chris
|4 aut
|
| 700 |
1 |
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|a Vreithoff, Steve
|4 aut
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| 942 |
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|c KNJ
|h EC16.1
|i ENGAG
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| 999 |
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