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841031s1985 xxu b 0|1 0 eng| |
| 020 |
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|a 9780231056373
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| 040 |
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|a StEdU
|c StEdU
|b hrv
|d HR-ZaFF
|e ppiak
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| 080 |
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|a 791.43
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| 245 |
0 |
0 |
|a Film sound :
|b theory and practice /
|c edited by Elisabeth Weis and John Belton.
|
| 260 |
|
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|a New York :
|b Columbia University Press,
|c 1985.
|
| 300 |
|
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|a xii, 462 str. ;
|c 24 cm
|
| 504 |
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|a "Annotated bibliography on film sound (excluding music) / Claudia Gorbman": str. [427]-445.
|
| 504 |
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|a Kazalo
|
| 650 |
|
0 |
|a Sound motion pictures.
|
| 650 |
|
0 |
|a Sound
|x Recording and reproducing.
|
| 650 |
|
0 |
|a Motion pictures
|x Aesthetics.
|
| 653 |
|
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|a zvučni film
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| 653 |
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|a zvuk
|a snimanje i reproduciranje
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| 653 |
|
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|a estetika filma
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| 653 |
|
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|a filmska umjetnost
|
| 700 |
1 |
|
|a Weis, Elisabeth
|4 edt
|
| 700 |
1 |
|
|a Belton, John
|4 edt
|
| 700 |
1 |
|
|a Gomery, Douglas
|4 ctb
|t The coming of sound: technological change in the American film industry
|
| 700 |
1 |
|
|a Gomery, Douglas
|4 ctb
|t economic struggle and Hollywood imperialism: europe converts to sound
|
| 700 |
1 |
|
|a Salt, Barry
|4 ctb
|t Film style and technology in the Thirties: sound
|
| 700 |
1 |
|
|a Altman, Rick
|4 ctb
|t The evolution of sound technology
|
| 700 |
1 |
|
|a Doane, Mary Ann
|4 ctb
|t Ideology and the practice of sound editing and mixing
|
| 700 |
1 |
|
|a Belton, John
|4 ctb
|t Technology and aesthetics of film sound
|
| 700 |
1 |
|
|a Ejzenštejn, Sergej Mihajlovič
|4 ctb
|t A statement
|
| 700 |
1 |
|
|a Pudovkin, V. I.
|4 ctb
|t Asynchronism as a principle of sound film
|
| 700 |
1 |
|
|a Clair, René
|4 ctb
|t The art of sound
|
| 700 |
1 |
|
|a Wright, Basil
|4 ctb
|t Manifesto: dialogue on sound
|
| 700 |
1 |
|
|a Braun, B. Vivian
|4 ctb
|
| 700 |
1 |
|
|a Cavalcanti, Alberto
|4 ctb
|t Sound in films
|
| 700 |
1 |
|
|a Arnheim, Rudolf
|4 ctb
|t A new Laocoön: artistic composities and the talking film
|
| 700 |
1 |
|
|a Balazs, Bela
|4 ctb
|t Theofy of the film: sound
|
| 700 |
1 |
|
|a Kracauer, Siegfried
|4 ctb
|t Dialogue and sound
|
| 700 |
1 |
|
|a Epstein, Jean
|4 ctb
|t Slow-motion sound
|
| 700 |
1 |
|
|a Bresson, Robert
|4 ctb
|t Notes on sound
|
| 700 |
1 |
|
|a Straub, Jean-Marie
|4 ctb
|
| 700 |
1 |
|
|a Huillet, Daniele
|4 ctb
|
| 700 |
1 |
|
|a Metz, Christian
|4 ctb
|t Aural objects
|
| 700 |
1 |
|
|a Doane, Mary Ann
|4 ctb
|t The voice in the cinema: the articulation of body and space
|
| 700 |
1 |
|
|a Bordwell, David
|4 ctb
|t Fundamental aesthetics of sound in the cinema
|
| 700 |
1 |
|
|a Thompson, Kristin
|4 ctb
|
| 700 |
1 |
|
|a Burch, Noël
|4 ctb
|t On the structural use of sound
|
| 700 |
1 |
|
|a Knight, Arthur
|4 ctb
|t The movie learn to talk: Ernst Lubitsch, rené Clair, and Rouben Mamoulian
|
| 700 |
1 |
|
|a Mottram, Ron
|4 ctb
|t American sound films, 1926-1930
|
| 700 |
1 |
|
|a Fischer, Lucy
|4 ctb
|t Applause: the visual, and acoustic landscape
|
| 700 |
1 |
|
|a Fischer, Lucy
|4 ctb
|t Enthuisiasm: from kino-eye to radio-eye
|
| 700 |
1 |
|
|a Carroll, Noël
|4 ctb
|t Lang and Pabst: paradigms for early sound practice
|
| 700 |
1 |
|
|a Rubin, Martin
|4 ctb
|t The voice of silence: sound style in John Stahl's 'Back street'
|
| 700 |
1 |
|
|a Mintz, Penny
|4 ctb
|t Orson Welles's use of sound
|
| 700 |
1 |
|
|a Weis, Elisabeth
|4 ctb
|t The evolution of Hitchcock's aural style and sound in 'The birds'
|
| 700 |
1 |
|
|a Litle, Michael
|4 ctb
|t The sound track of 'The rules of the game'
|
| 700 |
1 |
|
|a Hanlon, Lindley
|4 ctb
|t Sound in Bresson's 'Mouchette'
|
| 700 |
1 |
|
|a Williams, Alan
|4 ctb
|t Godadr's use of sound
|
| 700 |
1 |
|
|a Schreger, Charles
|4 ctb
|t Altman, dolby, and the second sound revolution
|
| 700 |
1 |
|
|a Paine, Frank
|4 ctb
|t Sound mixing and 'Apocalypse now': an interview with Walter Murch
|
| 700 |
1 |
|
|a Mancini, Marc
|4 ctb
|t The sound designer
|
| 700 |
1 |
|
|a Camper, Fred
|4 ctb
|t Sound and silence in narrative and nonnarative cinema
|
| 942 |
|
|
|c KNJ
|h EC16.1
|i FILM.SOU
|6 EC161_FILMSOU
|
| 999 |
|
|
|c 259616
|d 259615
|
