The implied reader
Permalink: | http://skupni.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:261924/TOC |
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Glavni autor: | Iser, Wolfgang (-) |
Vrsta građe: | Knjiga |
Jezik: | eng ger |
Impresum: |
Baltimore ; London :
Johns Hopkins University Press,
cop. 1974.
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Nakladnička cjelina: |
A Johns Hopkins paperback
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Predmet: |
Sadržaj:
- Introduction 1. Bunyan's 'Pilgrim's progress': the doctrine of predestination and the shaping of the novel
- 2. The role of the reader in Fielding's 'Josep Andrews' and 'Tom Jones'
- 3. The generic control of the esthetic response: an examination of Smollett's 'Humphry Clincker'
- 4. Fiction - the filter of history: a study of Sir Walter Scott's 'Waverley'
- 5. The reader as a component part of the realistic novel: esthetic effects in Thacheray's 'Vanity fair'
- 6. Self-reduction: I. The self.communication of subjectivity in autobiographical fiction. W.M. Thacheray:; 'Henry Esmond'
- II. Perception, temporality, and action as modes of subjectivity. W. Faulkner: 'The sound and the fury'
- III. The unpredicability of subjectivity. I. Compton-Burnett: 'A heritage and its history'
- IV. Subjectivity as the autogenous cancellation of its own manifestations. S. Beckett: 'Molloy'. 'Malone dies', 'The unnamable'
- 7. Doing things in style: An interpretation of "The oxen f hte sun" in James Joyce's 'Ulysses'
- 8. Patterns of communication in Joyce's 'Ulysses'
- I. Myth and reality
- II. Experiments in style
- III. The function of the experiments in style
- IV. The archetypes
- V. The reader's quest and the formation of illusion
- 9. Dialogue of the unspeakable: Ivy Compton-Burnett: 'A heritage and its history'
- 10. When is the end not the end? The idea of fiction in Beckett
- 11. The reading process: A phenomenological approach