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02900cam a22002897i 4500 |
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HR-ZaFF |
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20200406151554.0 |
| 008 |
080102s2008 xxka b 001 0 eng |
| 999 |
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|c 276609
|d 276607
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| 020 |
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|a 9780521862387 (hardback)
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| 040 |
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|a DLC
|c DLC
|d BAKER
|d YDXCP
|d BTCTA
|d BWKUK
|d HR-ZaFF
|b hrv
|e ppiak
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| 080 |
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|a 792 :72 72
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| 245 |
0 |
4 |
|a The Cambridge companion to the musical /
|c edited by William A. Everett and Paul R. Laird.
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| 250 |
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|a 2nd ed.
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| 260 |
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|a Cambridge, UK ;
|a New York :
|b Cambridge University Press,
|c 2008.
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| 300 |
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|a xv, 412 str. :
|b ilustr. ;
|c 26 cm
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| 440 |
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0 |
|a Cambridge companions to music
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| 504 |
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|a Str.353-385 Bibliografija
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| 504 |
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|a Kazalo
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| 505 |
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|a Part I. Adaptations and Transformations: Before 1940: 1. American musical theatre before the twentieth century Katherine K. Preston; 2. Non-English language musical theatre in North America John Koegel; 3. Birth pangs, growing pains and sibling rivalry: musical theatre in New York, 1900-1920 Orly Leah Krasner; 4. American and British operetta in the 1920s: romance, nostalgia and adventure William A. Everett; 5. Images of African Americans: African-American musical theatre, Show Boat and Porgy and Bess John Graziano; 6. The melody (and the words) linger on: American musical comedies of the 1920s and 1930s Geoffrey Block; Part II. Maturations and Formulations: 1940 to 1970: 7. 'We said we wouldn't look back': British musical theatre, 1935-1960 John Snelson; 8. The coming of the musical play: Rodgers and Hammerstein Ann Sears; 9. The successors of Rodgers and Hammerstein from the 1940s to the 1960s Thomas L. Riis and Ann Sears; 10. Musical sophistication on Broadway: Kurt Weill and Leonard Bernstein Bruce D. McClung and Paul R. Laird; Part III. Evolutions and Integrations: After 1970: 11. Stephen Sondheim and the musical of the outsider Jim Lovensheimer; 12. Choreographers, directors and the fully integrated musical Paul R. Laird; 13. From Hair to Rent: is 'rock' a four-letter word on Broadway? Scott Warfield; 14. The megamusical: the creation, internationalization, and impact of a genre Paul Prece and William A. Everett; 15. The European musical Judith Sebesta; 16. New horizons: the musical at the dawn of the twenty-first century Bud Coleman; Part IV. Legacies and Transformations: 17. Why do they start to sing and dance all of a sudden? Examining the film musical Graham Wood; 18. Revisiting classic musicals: revivals, film, and television and recordings Jessica Sternfeld; 19. The creation of a Broadway musical: Stephen Schwartz, Winnie Holzman, and Wicked Paul Laird
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| 650 |
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0 |
|a Musicals
|x History and criticism.
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| 650 |
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0 |
|a Musical theater
|x History.
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| 653 |
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|a mjuzikl
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| 700 |
1 |
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|a Everett, William A.
|4 edt
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| 700 |
1 |
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|a Laird, Paul R.
|4 edt
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| 856 |
4 |
2 |
|3 Publisher description
|u http://www.loc.gov/catdir/enhancements/fy0808/2007053042-d.html
|7 0
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| 942 |
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|c KNJ
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