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|a 052154257X (pbk.)
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|a 9780521542579 (pbk.)
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|a UKM
|c UKM
|d BAKER
|d BWKUK
|d SYB
|d IXA
|d VP@
|d HR-ZaFF
|b hrv
|e ppiak
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|a 78.082.4
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|a The Cambridge companion to the concerto /
|c edited by Simon P. Keefe.
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|a Cambridge, UK ;
|a New York :
|b Cambridge University Press,
|c 2005.
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|a xxv, 309 str. :
|b ilustr. ;
|c 25 cm
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|a Cambridge companions to music
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|a Bibliografija: str. 288-296
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|a Kazalo
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|g Introduction /
|r Simon P. Keefe --
|g PART I. CONTEXTS --
|t Theories of the concerto from the eighteenth century to the present day /
|r Simon P. Keefe --
|t The concerto and society /
|r Tia DeNora --
|g PART II. THE WORKS --
|t The Italian concerto in the late seventeenth and early eighteenth centuries /
|r Michael Talbot --
|t The concerto in northern Europe to c.1770 /
|r David Yearsley --
|t The concerto from Mozart to Beethoven : aesthetic and stylistic perspectives /
|r Simon P. Keefe --
|t The nineteenth-century piano concerto /
|r Stephan D. Lindeman --
|t Nineteenth-century concertos for strings and winds /
|r R. Larry Todd --
|t Contrasts and common concerns in the concerto 1900-1945 /
|r David E. Schneider --
|t The concerto since 1945 /
|r Arnold Whittall --
|g PART III. PERFORMANCE --
|t The rise (and fall) of the concerto virtuoso in the late eighteenth and nineteenth centuries /
|r Cliff Eisen --
|t Performance practice in the eighteenth-century concerto /
|r Robin Stowell --
|t Performance practice in the nineteenth-century concerto /
|r David Rowland --
|t The concerto in the age of recording /
|r Timothy Day.
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|a Concerto
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|a koncerti
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|a glazba
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|a Keefe, Simon P.
|4 edt
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|c KNJ
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|c 276610
|d 276608
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