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| LEADER |
01542nam a22002417i 4500 |
| 005 |
20130611142606.0 |
| 008 |
100629s2010 xxka b 000 0 eng |
| 020 |
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|a 9781844572922
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| 040 |
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|a DLC
|c DLC
|d BWK
|d YDXCP
|d HR-ZaFF
|d C#P
|b hrv
|e ppiak
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| 080 |
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|a 791.44.071.1
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| 100 |
1 |
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|a Lewis, Jon E.
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| 245 |
1 |
4 |
|a The godfather /
|c Jon Lewis.
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| 260 |
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|a London ;
|a New York :
|b British Film Institute :
|b Palgrave Macmillan,
|c 2010.
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| 300 |
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|a 96 str. :
|b ilustr. ;
|c 19 cm
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| 490 |
1 |
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|a BFI film classics
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| 830 |
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0 |
|a BFI film classics.
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| 504 |
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|a Bibliografija
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|a I belive in America -- I believe in Hollywood -- I believe in the mafia.
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| 520 |
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|a "Francis Ford Coppola's The Godfather (1972) marked a transition in American filmmaking, and its success as a work of art, as a creative property exploited by its studio, Paramount Pictures, as a model for aspiring filmmakers - changed Hollywood forever. Jon Lewis's study of the film looks at the significance of The Godfather in Hollywood's dramatic box-office turnaround in the 1970s and offers a critical and historical discussion of The Godfather's place within the crime and gangster film genre. Lewis focuses on the film as a commercial as well as an artistic landmark of American auteur cinema, as a singularly important film in Hollywood studio history and as a brilliant reworked modern genre picture that at once adopts and adapts the gangster film."--
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| 630 |
0 |
0 |
|a Godfather (Motion picture)
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| 653 |
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|a Coppola, Francis Ford
|a Kum
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| 942 |
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|c KNJ
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| 999 |
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|c 289388
|d 289386
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