Lestnica živyh suščestv v stihotvorenii Osipa Mandel'štama Lamark

Analyzed is Mandel'štam's poetic interpretation of the evolutionary sheme by Lamarck with man as the perfect form of organic life on its top and primitive, one-celled organisms at its bottom. As opposed to many other modernist and avant-garde poets in the early 20th century such as R...

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Matična publikacija: Slavica
XXXI. (2001), . ; str. 151-163
Glavni autor: Benčić, Živa (-)
Vrsta građe: Članak
Jezik: rus
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246 3 |i Naslov na engleskom:  |a The scale of living beings in the poem Lamarck by Osip Mandel'štam 
300 |a 151-163  |f str. 
363 |a XXXI.  |b .  |i 2001 
520 |a Analyzed is Mandel'štam's poetic interpretation of the evolutionary sheme by Lamarck with man as the perfect form of organic life on its top and primitive, one-celled organisms at its bottom. As opposed to many other modernist and avant-garde poets in the early 20th century such as R. M. Rilke or G. Benn, Mandel'štam perceives the descent from the top of the scale onto lower layers as a negative process resulting in only negative metamorphoses (the loss of sight and hearing, and even the very end of culture). The fact that Mandel'štam in his text Lamarck - like N. Zabolockij in many of his poems written in the same period - renewed Aristotelian evaluative hierarchy of living beings is explained by political situation in the 1930's in Russia. Shadowed by increasing totalitarianism both Mandel'štam and Zabolockij - by means of the scala naturae - paid attention to the non-historical dimension of reality with man as the "crown of creation". 
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