Natyamandapa: A Real or a Fictional Performing Space of the Classical Indian Theatre
The question whether theatre buildings ever existed in ancient India or their description in the Natyasastra is a fictive description of an ideal space, has not found a satisfactory answer until now. After discussing several terms referring to the theatre (and explaining e.g. the mattavarani as a fe...
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| Matična publikacija: |
Nagoya Studies in Indian Culture and Buddhism: Sambhasa 2003 (2003), 23 ; str. 29-38 |
| Glavni autor: | Gönc Moačanin, Klara (-) |
| Vrsta građe: | Članak |
| Jezik: | eng |
| LEADER | 02034naa a2200241uu 4500 | ||
|---|---|---|---|
| 008 | 131105s2003 xx eng|d | ||
| 022 | |a 0285-7154 | ||
| 035 | |a (CROSBI)139159 | ||
| 040 | |a HR-ZaFF |b hrv |c HR-ZaFF |e ppiak | ||
| 100 | 1 | |9 800 |a Gönc Moačanin, Klara | |
| 245 | 1 | 0 | |a Natyamandapa: A Real or a Fictional Performing Space of the Classical Indian Theatre / |c Gonc-Moacanin, Klara. |
| 246 | 3 | |i Naslov na engleskom: |a Natyamandapa: A Real or a Fictional Performing Space of the Classical Indian Theatre | |
| 300 | |a 29-38 |f str. | ||
| 363 | |a 2003 |b 23 |i 2003 | ||
| 520 | |a The question whether theatre buildings ever existed in ancient India or their description in the Natyasastra is a fictive description of an ideal space, has not found a satisfactory answer until now. After discussing several terms referring to the theatre (and explaining e.g. the mattavarani as a fence separating the sacred space of the stage from the profane public), the author says: "There is only an ideal model from Natyasastra which, in my opinion, represents sacred space which conforms to the rules for building a temple as found in silpasastras." Therefore she is preliminarily inclined to subscribe to Levi's view that theatre in India always remained "un plaisir de circonstance" and never had a specialized building. However, she supposes that a mulitidisciplinary research of this question could yield more trustworthy results than those that have been achived so far. | ||
| 536 | |a Projekt MZOS |f 0130465 | ||
| 546 | |a ENG | ||
| 690 | |a 6.03 | ||
| 693 | |a Natyamandapa, natya, Natyasastra, theatre, ranga, yajana, pujana, mattavarani, silpasastra, sacred and profane space, separate edifice |l hrv |2 crosbi | ||
| 693 | |a Natyamandapa, natya, Natyasastra, theatre, ranga, yajana, pujana, mattavarani, silpasastra, sacred and profane space, separate edifice |l eng |2 crosbi | ||
| 773 | 0 | |t Nagoya Studies in Indian Culture and Buddhism: Sambhasa |x 0285-7154 |g 2003 (2003), 23 ; str. 29-38 | |
| 942 | |c CLA |t 1.01 |u 1 |z Znanstveni - clanak | ||
| 999 | |c 305799 |d 305797 | ||