The Optics of the Pre-Raphaelite Keats
The early Pre-Raphaelite fascination with John Keats demonstrates, inter alia, a special value of Italianicity for Victorian culture (to borrow a term coined by Roland Barthes). In my article I focus on the assumption that the Pre-Raphaelite paintings from Keats utilize his poetry in the same way in...
| Permalink: | http://skupni.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:305989/Details |
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| Matična publikacija: |
STUDIA ANGLICA ET ROMANICA ZAGRABIENSIA XLVII-XLVIII (2002.-2003.), str. 127-145 |
| Glavni autor: | Jukić, Tatjana (-) |
| Vrsta građe: | Članak |
| Jezik: | eng |
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| 520 | |a The early Pre-Raphaelite fascination with John Keats demonstrates, inter alia, a special value of Italianicity for Victorian culture (to borrow a term coined by Roland Barthes). In my article I focus on the assumption that the Pre-Raphaelite paintings from Keats utilize his poetry in the same way in which Keats’ s poetry utilizes Italy. While Keats speaks of sensuality and violence from within a cordon sanitaire constructed out of an imaginary Italy, the Pre-Raphaelites use Keats’ s poetry as a cordon sanitaire within their own – visual – discourse, to show yet withhold the representation of excessive violence and desire. | ||
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