The Aura of the Actress
This article discusses the epistemological and methodological malaise provoked by the gendered character of the concepts used in acting theory, which necessarily compromises any discussion regarding the (im)possibility of writing a non-gender biased history of acting.
Permalink: | http://skupni.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:311629/Details |
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Matična publikacija: |
Gender and Identity: Theories from and/or on Southeastern Europe 472 |
Glavni autor: | Čale Feldman, Lada (-) |
Vrsta građe: | Članak |
Jezik: | eng |
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300 | |a 25-41 |f str. | ||
520 | |a This article discusses the epistemological and methodological malaise provoked by the gendered character of the concepts used in acting theory, which necessarily compromises any discussion regarding the (im)possibility of writing a non-gender biased history of acting. | ||
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693 | |a female acting, history, theory |l hrv |2 crosbi | ||
693 | |a female acting, history, theory |l eng |2 crosbi | ||
773 | 0 | |t Gender and Identity: Theories from and/or on Southeastern Europe |d Beograd : ATHENA and Regional Network for Gender/Women's Studies in Southeastern Europe, 2006 |h 472 |n Blagojević Jelisaveta, Kolozova, Katerina i Slapšak, Svetlana |z 86-86513-00-X |g str. 25-41 | |
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