Self as a Cluster of Socio-cultural Simulacra: Georg Simmel and Luigi Pirandello's Feminist Anthropology of Acting

The paper emphasizes one common aspect of both Simmel's and Pirandello's alleged “postmodernity”: the connection of their “feminism” with their strikingly similar, socio-culturally grounded theories of acting/living, namely existing/performing and thus (womanly) overcoming the painful dual...

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Matična publikacija: Mythen, Riten, Simulakra - Myths, Rites, Simulacra, Semiotische Perspektiven - Semiotic Viewpoints, 10. Internationales Symposium der Osterreichischen Gesellschaft für Semiotik – 10th International Symposium of the Austrian Association for Semioptics, 8.-10. 12. 2000., Progaram /Programm & Abstracts
Beč : Osterreichische Gesellschaft für Semiotik, 2000
Glavni autor: Čale Feldman, Lada (-)
Vrsta građe: Članak
Jezik: eng
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520 |a The paper emphasizes one common aspect of both Simmel's and Pirandello's alleged “postmodernity”: the connection of their “feminism” with their strikingly similar, socio-culturally grounded theories of acting/living, namely existing/performing and thus (womanly) overcoming the painful dualisms tearing the (men's) culture apart: mind and body, emotion and cognition, art and life, actors and onlookers, subject and object, self and its other, within and without. 
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773 0 |a 10. Internationales Symposium der Osterreichischen Gesellschaft für Semiotik – 10th International Symposium of the Austrian Association for Semioptics (8-10.12.2000. ; Beč, Austrija)  |t Mythen, Riten, Simulakra - Myths, Rites, Simulacra, Semiotische Perspektiven - Semiotic Viewpoints, 10. Internationales Symposium der Osterreichischen Gesellschaft für Semiotik – 10th International Symposium of the Austrian Association for Semioptics, 8.-10. 12. 2000., Progaram /Programm & Abstracts  |d Beč : Osterreichische Gesellschaft für Semiotik, 2000  |g str. 30 
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