Necromancers, buffoons, conspirators: The uses of utopia in Držić's Dubrovnik and Shakespeare's England

The paper will focus on two (seemingly quite distant)instances of the use of utopian topos by Renaissance playwrights: William Shakespeare in his romance The Tempest (1610) and the Croatian playwright Marin Držić in this best-known play, the comedy Uncle Maroje (1551). The examination will attempt t...

Full description

Permalink: http://skupni.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:313815/Holdings
Glavni autor: Ciglar-Žanić, Janja (-)
Vrsta građe: Članak
Jezik: eng