Necromancers, buffoons, conspirators: The uses of utopia in Držić's Dubrovnik and Shakespeare's England
The paper will focus on two (seemingly quite distant) instances of the use of utopian topos by two Renaissance playwrights: William Shakespeare in his romance The Tempest (1610) and the Croatian playwright Marin Držić in his best-known play, the comedy Uncle Maroje (1551). The examination will attem...
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| Matična publikacija: |
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| Glavni autor: | Ciglar-Žanić, Janja (-) |
| Vrsta građe: | Članak |
| Jezik: | eng |
APA stil citiranja
Ciglar-Žanić, J. (1995). Necromancers, buffoons, conspirators: The uses of utopia in Držić's Dubrovnik and Shakespeare's England: Necromancers, buffoons, conspirators: The uses of utopia in Držić's Dubrovnik and Shakespeare's England. -.
Chicago stil citiranjaCiglar-Žanić, Janja. "Necromancers, buffoons, conspirators: The uses of utopia in Držić's Dubrovnik and Shakespeare's England: Necromancers, buffoons, conspirators: The uses of utopia in Držić's Dubrovnik and Shakespeare's England." 1995.
MLA stil citiranjaCiglar-Žanić, Janja. "Necromancers, buffoons, conspirators: The uses of utopia in Držić's Dubrovnik and Shakespeare's England: Necromancers, buffoons, conspirators: The uses of utopia in Držić's Dubrovnik and Shakespeare's England." 1995.