Nacionalno i republičko u hrvatskom filmu jugoslavenskog razdoblja

Croatian Cinema has fully formed in the socialist Yugoslavia, but very soon the production became more and more diversified, centered around the capital cities of the federal units (Croatia, Serbia, Slovenia...). During the 1960s there was also a tendency to allow for smaller production ventures to...

Full description

Permalink: http://skupni.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:315429/Details
Glavni autor: Gilić, Nikica (-)
Vrsta građe: Članak
Jezik: eng
LEADER 01523naa a22002297i 4500
005 20131206071607.0
008 131111s2008 xx 1 eng|d
035 |a (CROSBI)338778 
040 |a HR-ZaFF  |b hrv  |c HR-ZaFF  |e ppiak 
100 1 |9 681  |a Gilić, Nikica 
245 1 0 |a Nacionalno i republičko u hrvatskom filmu jugoslavenskog razdoblja /  |c Gilić, Nikica. 
246 3 |i Naslov na engleskom:  |a The Nation and the Republic in the Croatian cinema of the Yugoslav period 
300 |f str. 
520 |a Croatian Cinema has fully formed in the socialist Yugoslavia, but very soon the production became more and more diversified, centered around the capital cities of the federal units (Croatia, Serbia, Slovenia...). During the 1960s there was also a tendency to allow for smaller production ventures to take place, so the modernist poetics had a certain amount of liberty in the 60s. However, the unitarist tendencies also took place, particularly in the genre of the partisan film ("partizanski film"). 
536 |a Projekt MZOS  |f 130-2641300-1032 
546 |a ENG 
690 |a 6.05 
693 |a cinema, Croatia, Yugoslavia, socialism, genre, style, modernism  |l hrv  |2 crosbi 
693 |a cinema, Croatia, Yugoslavia, socialism, genre, style, modernism  |l eng  |2 crosbi 
773 0 |a Naracije i konstrukcije o identitetu/nacionalitetu/povijesti u Bosni i Hercegovini, Hrvatskoj i Srbiji u 20. i 21. stoljeću (10-13.4.2008. ; Zagreb, Hrvatska) 
942 |c RZB  |u 2  |v Nista  |z Znanstveni - Predavanje - Nista  |t 3.16 
999 |c 315429  |d 315427