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| LEADER |
01625cam a22002537i 4500 |
| 005 |
20140603084219.0 |
| 008 |
130531s2013 xxka b 001 0 eng |
| 010 |
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|a 2013019060
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| 020 |
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|a 9781137017451
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| 040 |
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|a DLC
|b hrv
|c DLC
|e ppiak
|d HR-ZaFF
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| 080 |
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|a 791.229.2+791.228
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| 100 |
1 |
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|a Honess Roe, Annabelle
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| 245 |
1 |
0 |
|a Animated documentary /
|c Annabelle Honess Roe.
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| 260 |
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|a Basingstoke :
|b Palgrave Macmillan,
|c 2013.
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| 300 |
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|a VIII, 194 str. :
|b ilustr. ;
|c 23 cm.
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| 504 |
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|a Bibliografija: str. 180-188.
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| 504 |
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|a Kazalo.
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| 505 |
0 |
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|a Introduction. Animation and documentary's shared history -- Scope and organisation -- Representational strategies. How animation is used in animated documentary -- The ontology of animated documentary -- Digital realities. Dino-docs and strategies of visual and aural authentication -- Tracing the sights and sounds of reality in Rotoshop and Chicago -- Paratextual authentication -- The excess of animated realism -- Animated interviews. Uncanny bodies -- Absence as representational strategy -- The expressive power of the disembodied voice -- The world in here. More than the interview seen: Sheila Sofian's illustrated interviews -- Inside out: animating subjective experience -- Hybrids of reality -- Animated awareness -- Animated memories. (Dis)continuities: the self in history -- The unspoken and the forgotten: the trauma in/of history in Silence and Waltz with Bashir -- Afterword.
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| 653 |
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0 |
|a Dokumentarni film
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| 653 |
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0 |
|a Animirani film
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| 653 |
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0 |
|a Animirani dokumentarni film
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| 690 |
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0 |
|a Kritički pregled
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| 942 |
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|c KNJ
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| 999 |
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|c 325090
|d 325087
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