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01228na a2200169 4500 |
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141023s2010 xxu|||||||||||||| ||eng|d |
020 |
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|a 9780300162813
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040 |
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|a HR-ZaFF
|b hrv
|c HR-ZaFF
|e ppiak
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100 |
1 |
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|a Wilson,Sarah
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245 |
1 |
4 |
|a The visual world of French theory :
|b figurations /
|c Sarah Wilson.
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260 |
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|a New Haven (Conn) ;
|b Yale University Press,
|c 2019
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300 |
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|a 271 str. :
|b ilustr. u boji ;
|c 27 cm
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504 |
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|a Bibliografske bilješke - Bibliografija: str. 247-257 - Kazala
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505 |
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|a Introduction: Witnesses of the future, painters of their times - Interlude : the Datcha, painting as manifesto - From Sartre to Althusser : Lapoujade, Cremonini and the turn to antihumanism - Pierre Bourdieu, Bernard Rancillac : 'the image of the image' -Louis Althusser, Lucio Fanti : the USSR as phantom -Gerard Fromanger : periodisations - Deleuze, Foucault, Guattari. Felix Guattari : Night and day --Lyotard/Monory : postmodern romantics --Derrida/Adami : the truth in painting?--Conclusion: In Beaubourg, 1977/2007
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653 |
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|a filozofija umjetnosti, Francuska 1945 -1990 ;
|a nova figuracija, slikarstvo;
|a narativno slikarstvo ;
|a figurativna umjetnost, Francuska, Paris, 20 st. :
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942 |
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|c KNJ
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999 |
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|c 331326
|d 331323
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