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01209cam a2200265 a 4500 |
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20141106154400.0 |
| 008 |
110915s2012 nyua b 001 0 eng |
| 020 |
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|a 9780415806992 (hbk)
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| 020 |
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|a 9780203126288 (ebk)
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| 040 |
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|a DLC
|c DLC
|d DLC
|d HR-ZaFF
|b hrv
|e ppiak
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| 042 |
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|a pcc
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| 043 |
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|a e-uk---
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| 100 |
1 |
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|a Shail, Andrew,
|d 1978-
|
| 245 |
1 |
4 |
|a The cinema and the origins of literary modernism /
|c Andrew Shail.
|
| 260 |
|
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|a New York :
|b Routledge,
|c 2012.
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| 300 |
|
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|a xii, 253 p. :
|b ill. ;
|c 24 cm.
|
| 490 |
0 |
|
|a Routledge interdisciplinary perspectives on literature ;
|v 7
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| 504 |
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|a Includes bibliographical references (p. [229]-243) and index.
|
| 505 |
0 |
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|a Introduction : from "the cinematograph" to "the pictures" -- The cinema of narrative integration, the demise of impressionism and the rise of modernism -- Cinema's continuous present and modernist temporality -- Mass consciousness and mass cinema -- Afterword : "a picture feverishly turned".
|
| 650 |
|
0 |
|a Motion pictures and literature.
|
| 650 |
|
0 |
|a English literature
|y 20th century
|x History and criticism.
|
| 650 |
|
0 |
|a Modernism (Literature)
|z Great Britain.
|
| 942 |
|
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|c KNJ
|
| 955 |
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|b rg13 2011-09-15
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| 999 |
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|c 332454
|d 332451
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