Data przesłania tekstu do redakcji: 14.11.2013 Data przyjęcia tekstu do druku: 15.04.2014 Marina Protrka Štimec mprotrka@ffzg.hr Život kao artefakt: Matoševo autorstvo Povodom knjige Dubravke Oraić Tolić Čitanja Matoša
Paper deals with a conception of Antun Gustav Matoš authorship, regarding his own definition of his life as a work of art. Performing his authorship in a variety of literary texts, letters and notices, he lived in extremes, being flaneur, dandy and a bohem, world traveler and a nationalist ideologis...
Permalink: | http://skupni.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:336023/Details |
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Matična publikacija: |
Poznańskie Studia Slawistyczne 7 (2014); str. 328-338 |
Glavni autor: | Protrka Štimec, Marina (-) |
Vrsta građe: | Članak |
Jezik: | hrv |
Online pristup: |
https://bib.irb.hr/datoteka/747381.Prorka_Stimec-Poznanske.pdf http://www.pss.amu.edu.pl/images/stories/pss/VIInumer/stimec.pdf |
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100 | 1 | |a Protrka Štimec, Marina |9 648 | |
245 | 1 | 0 | |a Data przesłania tekstu do redakcji: 14.11.2013 Data przyjęcia tekstu do druku: 15.04.2014 Marina Protrka Štimec mprotrka@ffzg.hr Život kao artefakt: Matoševo autorstvo Povodom knjige Dubravke Oraić Tolić Čitanja Matoša / |c Protrka Štimec, Marina. |
246 | 3 | |i Naslov na engleskom: |a Life as a Work of Art: Matoš’ Authorship. Regarding Life as a Work of Art: Matoš’ Authorship. Regarding Dubravka Oraić Tolić’ book Čitanja Matoša | |
300 | |a 328-338 |f str. | ||
520 | |a Paper deals with a conception of Antun Gustav Matoš authorship, regarding his own definition of his life as a work of art. Performing his authorship in a variety of literary texts, letters and notices, he lived in extremes, being flaneur, dandy and a bohem, world traveler and a nationalist ideologist, what influenced reception of his work until recent period. Critical and historiographic, as much as other literary works related to AGM follow this „author-centered” posi- tions regarding his life as a work of art, as much as his literary texts as a reflection of his life. Latest Croatian „Matosiana” book, Dubravka Oraić Tolić Reading Matoš ( Čitanja Matoša , 2013), attests some traditional critical assumptions regarding authorship of this canonical writer end expands them in a new context. Different theories of literary canon formation, especially those grounded on feminist or psychoanalytical approach, call in question usual strategies in creation and understanding AGM s authorship, aestheticism and anti-modernism. | ||
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